[multimedijska postavitev] Urška Savič: Teritoriji vračanja


Monday, 6th May 2024 at 20.00 in Cirkulacija 2, Ajdovščina subway Ljubljana: the opening of discoursive multimedia installation

Urška Savič: Territories of returning

The immersive experience in the form of a spatial installation erases the boundaries between the personal and the collective and intervenes in the area of ​​science fiction. She is interested in the relationship between light and shadow, between print and cast, contact with the ground and floating above it. The intertwining of photography, the material world and sound are entangled in the concept of returning – back to the archive, returning to memories, returning to the forgotten, but also back to practice, doing, acting. The reverberation of the space questions a step to the side, forward, movements from here to there and back again, backward walking and free running. The installation is intended to encourage introspection, dialogue and engage in critical reflection on the ways of remembering and the constructions of the “memory palaces” of the modern individual.

Installation will be open from 14.00 to 18.00 – tuesday to friday
and bonus: 12.00 to 16.00 on saturday, 11th May 2024

The ideas have their origin in the author’s award-winning master’s thesis (Documentation of material – material documentation, ALUO, 2020), and in doing so she develops and upgrades the ideas presented – for the first time also in an independent practical implementation.
Urška Savič, Transforma (last image), 2015

The first part of a feature-length project in the making, Territories of returning – blanks in the memory, addresses the complex relationship between visual documentation and technology and discusses the role of documentation in various social structures, from bureaucratic, which serves administrative purposes, to technological, necessary to meet infrastructural needs, and personal documentation, which presents itself as a carrier and condition for an individual’s digital existence in the present. The subject covers a wide field and includes an investigation of the historical perspective of documentation, touching on the impact of technological progress and the ever-changing nature of archives, which, by assumption, remains culminative and closed. A methodology based on the accumulation of diverse material, its categorization and selection criteria is therefore crucial for her. The project includes research into the psychological, social and technological aspects of archiving and their impact on our understanding of the formation of history and memory, both individual and social. He questions the relationship between archives and power structures and investigates how the institutionalization of knowledge affects social hierarchies and shapes the individual’s experience in the world. The focus is on questioning the fundamental fear of losing memories and the human effort to archive to preserve those memories.

Urška Savič (1992) is a photographer, critic and journalist in the field of culture and creator of radio shows. She graduated in 2014 from Prague’s FAMU (Faculty of Film and Television of the Academy of Performing Arts in Prague), where she studied the topics of collage and photomontage, and her master’s degree from Ljubljana’s ALUO (2020), where in the Department of Sculpture she focused on excessive documentation and archival practice in contemporary art. Between 2015 and 2019, she was part of the Modri ​​kot collective at the Autonomous Rog Factory in Ljubljana. During the study exchange, she worked on the local scene in Porto, Portugal (2017-18), where she began interweaving her previously visual practice with sound and writing. Since 2017, she has been a member of the editorial staff for culture and humanities at Radio Študent, where in 2019 she started steering the radio’s artistic-theoretical research platform R A D A R, and in 2021 she also became a sound engineer. As a self-employed in culture, she collaborates with various publications, organizations and co-creates multimedia projects.

The finissage of the installation will take place on Friday, May 10, 2024 from 17:00 onwards, when the spatial installation will be further extended to a special charity event for the founding member of Cirkulacija 2 Boštjan Leskovšek, whose premature departure from our community was caused by Alzheimer’s disease. The donations will be used to cover the travel costs of visiting Boštjan as regularly as possible. The small synths of the big Boštjan, who in his time was a real collector of the most unusual ideas in this field, will also be exhibited! More information to follow.

Co-financing: Ministry of Culture of the Republic of Slovenia

Upcoming:

Benefit za Boštjana Leskovška – pionirja umetnosti zvoka in poezije po pošti

On Friday, May 10, 2024, from 5:00 p.m., we invite you to Cirkulacija 2, underpass Ajdovščina Ljubljana, for an empathic-altruistic afternoon & evening with the aim of raising funds to cover the travel costs of regular visits to Boštjan Leskovšek

A benefit for a pioneer of the art of sound and poetry by mail

charity event for the founding member of Cirkulacija 2, Boštjan Leskovšek, whose premature departure from our community was caused by Alzheimer’s disease (-> Wikipedia). We also hope for his personal participation! The evening will also be the closing of the exhibition Urška Savić Territories of returning.

Exhibited will be all the small synths of the great Boštjan, who in his time was a real collector of the most unusual ideas in this field! Some will be used in the evening’s cultural and artistic program!

Participating: Iva Tratnik, Ksenija Čerče, Andrej Lutman, Simon Svetlik, Borut Savski, Vlado Repnik, Stefan Doepner, Tatiana Kocmur, Marko Batista, Marko Košnik, Urška Savič and all others…

Boštjan Leskovšek / foto in instalacija: Miha Koron

Boštjan Leskovšek, born in 1965 in Ljubljana, is a sound artist and poet and co-founder of the POPOPO movement (POEZIJA PO POŠTI) between 1996 and 2001. During this time, over fifty performances (happenings, sound poetry and writing poems by correspondence). In 2006, the poetry collection Drža Va was published. Participation in Intermediate Spaces 2006/07 ESC Graz gallery and Kapelica Gallery; installation and event (Sound baths). Enthusiastic about technology, science, philosophy and modern art – what I put together = hang out in the initiative Circulation 2 since 2007. NanoŠmano project, creation with scientists and artists in the production of the Kapelica gallery (2010-12). Records released by Trivia Records: Nature of Patience 2007, Puščava realnego 2008, VesOlje 2003/10, Cirkulacija 2 and Bogdana Herman 2009, Vmesni Prostori 2009, XL Experiment, Ves Olje, Surface of Event 2010 (all at http://www.3via. org/records/). He participated as a group and as an author in all the projects of Cirkulacija 2, of which he is a co-founder.

https://soundcloud.com/ror11

https://www.instagram.com/jokel11/

https://www.locutio.si/avtorji.php?ID=143&clanek=363

Media notes:

Žiga Pucelj: Pluralnost zvočnih motivik – SIGIC 2013
https://www.sigic.si/pluralnost-zvocnih-motivik.html

Boštjan Leskovšek rounded off the three-day mini-festival The Sound of the Organism – Organism of Sound with a very strong sound image based on the parallel flow and meeting, annihilation and metamorphosis of identical signals. In my eyes, his digital-analog technical setting is most characterized by great complexity, when electronic sounds acquire the properties of unpredictable environmental sound, and Leskovšek emphasizes this complexity with the parallel use of long field recordings. Boštjan is that member of Circulation 2 who seems to deal with sound in its purest form at his performances, with the least conceptual superstructure or foundations…

Goran Kompoš reviews the performances of Boštjan Leskovšek and Felix Thorn at the Sonica 2009 festival – Radio Študent
https://old.radiostudent.si/article.php?sid=19650

Leskovšek, otherwise a member of the group Cirkulacija 2, cannot usually be seen in a concert context, but this time, despite the scant twenty minutes, he showed that he is no stranger to this form either. He composed a single piece at the intersection of drone and noise to confirm the saying; “make noise long enough and loud enough, and sooner or later harmonic, melodic and rhythmic structures will open up in it”. Leskovšek generated a dynamic, sub-bass-based, focused sound stream entirely live via oscillators and feedback loops, thereby not only avoiding the usual laptop stiffness, but skillfully utilizing the advantages of spontaneity and creation in real time. Here we could draw some parallels with the duo Orton, but where Lednik and Tasič embark on retro readings, Leskovšek follows more modern noisy guidelines, although of course he does not like to define himself musically…


ROR

Materiality of ROR remembers the first inarticulate, mumbling voices, purely organ sounds emerging from within the body. This memory is littered with events over psychosocial conditions in time and space. Its binding are the responses of flesh to the thinking of the machine. Hierarchy of thinking and the machineness of life are the occupation and struggle of ROR’s primary origins.

Language is put to the test with the wonders of sensuality on experimenting with the sounds of everyday banality.  Sound poetry becomes a self reflective advertising brand, ludistic to the extent of being the foundation of expression and, thus, the only genuine freedom. Archaic play of showings and readings addresses the articulate simulee/listener through voicers (throat, microphone, amplifier, speakers). The result of this generativity is rejection and revolt. Contours of the system become distinct and sharp.

Naive limitlessness of language is domineeringly caught in an endless loop. But since ROR emphasises contingency as essential within expression, be it before or now, it is separated from language with sound. Separation is a pressing demand of situation. It is a liminal space, which is contingent and indefinable. It is event and truth at the same time. Declaration for sound opens up the scope of perception. It frees bodily sensuality in thinking of the machine.

In ROR the machine is computer, microphone, bottle, mixer, plastic tube… the body is ears, mouth, eyes, skin… There is a cleavage between body and machine which paradoxically unites them both in the liberation of structural determination. This draws on the relation of changeability/transience, which leads to conflicts, be it personal or social. Disintegration, always actively heard, is inexorably free, if, of course, the subject is willing to explore the unknown.

The society of contentment and consent led ROR and people to absent observers of the world to safety zones of standards, rules, unification. Thus ROR is via reaction a symptom a disturbance. Resources used are commercial music software, ideal for manipulation. It enables control of oneself as well as of others. It resembles educational systems and has its own values. It makes one an obedient, malleable, interested slave. All this is true if one follows the instructions of those trained (good creative persons) or those enclosed (creative persons who want to BE good).

ROR approaches the software in the same way as workers in the time of industrial revolution when they were breaking machines, ludistically. The breaking produces excellent sound/noise. Avantgardism of breaking the mirror into random pieces and situationist gazing at them presents the first wing of freedom within ROR’s expression. In here ROR acts as a child who breaks the toy only to be able to use it later in a different way.

This different way is – in comparison with the child – problematic for ROR, which reflects its sound. Conflicts within ROR resemble conflicts in society. Through sound processing – which is not influenced, it is triggered and flows on its own – something temporary emerges, which the thinking machine considers an error a disturbance or a fall-out, a collapse. Radicality is released and an unrepeatable trace of truth slides through. When there is no collapse the system is renewing and repeating in time passes into sound monotony.

Reaction from outside (discourse) is triggered, with which the subject attempts to articulate goings-on into the sequence of events and eventually recognizes her/himself as limited discontinuous and passes into aloneness. Differentness occurs within her/him as disintegration, which is already her/his own genuine sound.

Codependence of actions within ROR escapes interpretation and this presentation is an attempt of an analysis of the momentary, which tries to fence off the assumptions about what and in what ways ROR is.

 


Events so-far:

2024 [multimedijska postavitev] Urška Savič: Teritoriji vračanja + OTS(Organsko Tehnološki Skupek) avtorjev: Mirica Ačko, Liza Šimenc in Q700-UPM + ℕiaℕsa in FriFormaAV: Ka Baird (ZDA)+ OKA (SLO) + Tomaž Kolarič: DIALOŠKOST IN EMPATIČNOST / pregledna razstava + Glitch trigger#1 + Rastišče + [na praznik kulture] Niko Novak – Poslednji med velikimi croonerji | Last of the big crooners + [last minute] vrhunski avdio-vizualni duo MSℍℝ (ZDA) v ŽIVO z MASℍ MAℕIF OLD + [Diskurzor 004] Konzervacija+restavracija v okviru Cirkulacije 2 + 2023 Vesele praznike in pogumen vstop v leto 2024 + ART-MUS: Sejem umetnin in praznik umetniškega izraza! + Aphra Tesla, Stefan Doepner archAngel Incorporated / 8 duš + VIDEOPISMA / Henrike von Dewitz in Simon Svetlik + [sreda] Prepared Surroundings 2023: 15. mednarodni festival eksperimentalnega zvoka + [torek CoFestival] Kolektiv NDA Hrvaška: Predstava, ki nastaja + Translacija | Traslación: Rdeče niti #Cirkulacija 2 + dvojna Friforma: WERCKMEISTER kvartet + Mladi Raziskovalci – kvartet + Osnovni delci Cirkulacije 2 na festivalu IZIS Koper + [interview] “Cirkulacija 2: The space we share” + Agustina De Vera: Čustveno avdio-vizualni zemljevid :: sledi potovanja v Slovenijo + Tom Winkler :: Stròj1 strôja m (ȍ ó) + [Jazzz klub Mezzoforte] ZORAN ŠĆEKIĆ koncert mikrotonalne glasbe + Ne-festival: KRIK :: PRVI GLAS + Vida Vojić :: PATTERNS LEAD ME HERE + [synthi delavnica] Alwin Weber “NoiseToys – not just for boys!” + Neža Knez in Tin Dožić “PARALELNA PRETAKANJA” + THE ANGEL’S SHARE / Del gre za angelce + Domišljija se razmahne, ko je zunaj slabo vreme | Imagination emerges into weathering + RAM RAM mozaična predstava [zadnji ponovitvi] + Colin Black in Stefan Doepner: The Transmittal Hearing + FAUST : : OBNOVA = večmedijski performens + Excuses Izgovori + KRAČA :: Tatiana Kocmur in Marta Fakuch + [3x v tednu] RAM RAM mozaična predstava + [popopraznična] Pogojna aritmija (z ali brez) + RADART # 14: SONOR(N)OST | tudi v Cirkulaciji 2 + CLOCKWORK VOLTAGE – Patch from Scratch + Francisco Tomsich – Borut Savski = Poletne pesmi | Summer Songs + [8. marec] Anita Wach / 30 Stavkov (Končna rešitev in Boj z duhovi) + VELIKI BENEFIT za Cirkulacijo + Goran Tomčić – “Pompom Nets – Ljubljana” = participatorna umetnost + [fotozvočna instalacija] P L A T E AU R E S I D U E: Zaslonke v pokrajini + [sluhodvod] Tu živijo vsi / Everybody Lives Here – The Third Guy + Stijn Demeulenaere + 2022 [Studio 8.1] Get Together — Dogodek št. 4 – Tobija Hudnik + D•still by Miha Godec / intermedijska instalacija + [veseli december] art-MUS: sejem umetnin v C2 + [skejterji only] “Pet let na svet; hlače spet” = pet za pet v petek + Tjaž in Gizmo :: Glasbena miza + Visual(s) Edition + [Via Negativa vabi] GLASS ILLKA / na predvečer referendumskega dne + Studio 8.1 – Jan Kopač – Vignettes + Fukuhara Lisk Savski :: Dislociran duh + Radharani Pernarčič – PLESNI VODIČ PO KATALOGU UDOBJA + TZUSSS / Silvan Schmid, Tizia Zimmermann, Urška Savič + Maayan Liebman Sharon – INTIMACY / work in progress + Cirkulacija 2 & Stroj za izboljšanje sveta na PixxelPoint v Novi Gorici + FUCKUPTIMEMACHINE by Vida Vojić + [vabljeni] Studio 8.1 / Jan Kopač – Sin_thesis + BIG BANG vs STRING THEORY / big-bend Cirkulacija 2 + Guionnet | Murayama | Filip :: 3 x 2 = 3? + ŽIVI FOSIL / Tatiana Kocmur, Liza Šimenc + Javno dobro in nestanovitni mediji + Nina Stopar – Rojstvo slike | The Birth of a painting + ME SLIŠIŠ :: mozaični dogodek v Cirkulaciji² + ZAKLONIŠČNI TRIO (Estela Žutić, Keiko Myazaki, Gilles Duvivier) + First Terrace Tour 2022: Sofheso, Specimens, Skip Summers, JC Leisure + FriForma: PASCAL NIGGENKEMPER – La vallée de l’étrange / Dolina čudes + [last minute] Zebracadabra: Z/Apophasis – concertanz + Radio Študent TRESK #13: razstava vizualnih natečajev + Studio 8.1: Tobija Hudnik: Get Together, Dogodek št. 3 + Studio 8.1: Tobija Hudnik: Get Together, Dogodek št. 2 + Lapsus-quo / NOTA – Elvis Homan, Boštjan Simon, Liza Šimenc + Studio 8.1: Tobija Hudnik: Get Together, Dogodek št. 1 + Oblak / gibalno-zvočna video kompozicija + Untergrunt poletni jazz festival: Marko Petrušič Petko + Maja Weiss – BELI BOJEVNIK V ČRNI OBLEKI | director’s cut! + KA TO GLEDAŠ / končna razstava študentk in študentov 3. letnika VIST + Neža Zupanc – recital za flavto + Skupni imenovalec | Common Denominator / velika skupinska razstava + FriForma & Cirkulacija 2: Drašlerja in Røysum + Anita Wach: Levica Sredica Pravica & zvočne zgodbe + Draženje očesa // 53. rojstni dan Radia Študent! + Studio 8.1: Jan Kopač + Kasper T Toeplitz: Elemental II & Burning House + Uspavanka za Cirkulacijo št. 2 in druge zvočne zgodbe + KonstruktK3 smo državljani NSK + [neumorna] FriForma: VVU (Violeta García & Javier Areal Veléz) in Primož Sukič + Martina Jurak: Prehajanje : : Cirkulacija 2 + KUD Mreža / FriFormA\V: MRM trio & Lina Rica + Feminizem zavzema mesto! FriFormA\V in Rdeče zore + Prezenca in e-senca akademskega slikarja Dominika Mahniča + [Cirkulacija 2 & FriForma] Dve trobenti: Silvan Schmid & Timothée Quost / dva Seijira: Seijiro Murayama & Jernej Babnik Romaniuk + Emil Memon GRAFFITI finissage! + 2021 beepblip, Tisa Neža Herlec, Lina Rica: Relativna tišina ob zori + Marta Fakuch – Wellness @ C2 + Emil Memon – GRAFFITI + Studio 8.1: Kako živijo ljudje (bonus track) + KUD Obrat: Onkraj 10 let & Stefan Doepner: Humus + Joe Summers: Five New Songs + 1,5 + Diorama: vizualni dialog Tatiane K. in Giampaola P. + Studio 8.1 #4/21 Brina Kren: kako živijo ljudje. + Mladi Raziskovalci IV. – Lenart De Bock – Steps + Tjaž Juvan: NOISTER::C² – cirkus cirkulatio + Dialog 1,5 + Asinhronost / Tatiana Kocmur in Borut Savski + Tao G. Vrhovec Sambolec – Brati (kot) telesa + Studio 8.1 #3 + Šum #16 + zapovedujemo: John Duncan – Ž + FriFormA\V: LĪMEN + Festival Re_humanizacija! + Cirkulacija 2 – Stroj za izboljšanje sveta v Celju | World Improvement Machine in Celje | 2. letnik + Elvin Brandhi – FEAR THE FEARLESS | BOJ SE NJIH, KI NE POZNAJO STRAHU + Studio 8.1 — Kako živijo ljudje, 2/21 + Barbara Kapelj – Lastne sobe | Rooms of Their Own -> WOW + Gonko Doepner Organism + Mike Hentz – KROG | CIRCLE => festival! + Zeleni zvoki Umoblodnice + JazzzklubMezzoforte Cirku5lacijA sVOBODNImEDmEDIJSKIjAMsEssION + Studio_8.1 _ Brina Kren _ kako živijo ljudje + Barbara Kapelj – Mesto prihodnosti / urbanistično-gradbena delavnica za najmlajše + Peter & Alexander = how to keep loudness quiet? | kako ohraniti glasnost tiho? + Radharani Pernarčič & Cirkulacija 2: INVAINTIONS OF CASTRO FIK ARKA + abeceda = Young researchers, Basic form and Series Here + Rdeče zore: Ingver in GverilkII + Square meter: RENT + COSTS + Ghosts of the Past resurrected + 2020 Expanded Cirkulacija 2: World Improvement Machine + Covid (hyper)production of Cirkulacija 2 + Neven Korda – SPOMINI NA SEDANJOST + Razglas: Mehatronična delavnica Cirkulacije 2 + Borut Kržišnik DANCING MACHINE (new | neu | nov) album + FriFormA\V: Christine Schörkhuber / Noid (Avstrija) – Razmestitve (zvočne instalacije) + Studio_8.1 _kako živijo ljudje, drugič + Q Hologram 2070: Muzej raznolikosti + Vida Voyage aka Vida Vojić aka lonesome cowboy aka secret agent… + Alessandro Di Giampietro – “Assist” | “Pomagalo” – Iconography of a Hug + /// Polymorphic ritual //// + presentation_performance: Sailor_log: 3rd ocean + post_festum: uvertura festivala A dela? v Cirkulaciji 2 + ČAS BREZ DOTIKA – skupinska razstava + FRIFORMA\AV: NOITU – SCATTER_RADAR + Skladnjin skupek #1: ad-hoc koncert v Cirkulaciji | podhod Ajdovščina + Studio_8.1 _kako živijo ljudje + Stroj za izboljšanje sveta | weltverbesserungmaschine + Tatiana Kocmur | Liza Šimenc – MARY JANE + Francisco Tomsich -> ELEGIJA | ELEGY + Program 2020 + Cirkulacija 2: News from the Crypt + Cirkulacija2GO – like Phoenix! + Cirkulacija 2 uspešno izseljena! Exodos completed! + [izseljevanje] Cirkulacija 2 na prelomu + 2019 [napovedujemo] Javno-zasebno partnerstvo! + Angstblüten II / Timor Flores II + Nikolaus Woernle et al. – MODULAR MONSTER + Elvin Brandhi: Welcome in the harvest and usher in “the dark half of the year”! + Dre A. Hočevar et al – Verso Doxa / celotedenski intenziv + Terraformer predstavlja: Ž, Neo Cymex in Kikiriki + Robert B. Lisek & Cirkulacija 2: UI za umetnike – AI for artists + Boštjan Čadež: Mr Processor, do you understand life? + B-stran: Lab Irint + Dominik Mahnič – 1/200 + IvAnKe – Outsukisama | performens/ predstava + Rdeča Raketa & Patrick K.-H v Cirkulaciji 2 + Doepner & Summers: Tree harp (or: Just the Tree of Us), first part + Vida Vojić – Dreams of New Narratives + RAZPROSTOR – razstava in večmedijski dogodek + Secret Universe of Noldus + RHIZOMAS /Ryuzo Fukuhara, Tracy Lisk, Stefan Doepner/ + Urška Preis & Kaja Janjić – Razgaljeno + tridnevna kitarska šagra: Gino Lucente – Sagra + Sukitoa O Namau & Joe Summers live + Joe Summers | The Last Of England – live score + Congregation at the castle: Three hundred thousand souls + RADART #10: X/L Experiment: Radio Tovarna + Cirkulacija 2: Cacophonia Cacovisia at Osmoza + ALUO uho in ALUO+C2 praktikum + Program 2019 + 2018 Ne(do)konč(a)no… + “-O-” = Simon Svetlik, Ryuzo Fukuhara in Takatsuna Mukai v C2 + Sound Chambers Series vol. VIII meets C2 + “Bodi Jimi tudi ti!” – delavnica na Gradu Kromberk | Pixxelpoint 2018 + C2 na festivalu Umetnosti in robotike v Trstu | C2 at the Festival of Arte e Robotica in Trieste + Biti aparat | biti umetnik = Roboti risarji + Simpozij Umetnost umetne inteligence | The Art of Artificial Intelligence + Exodos: C2 v Helsinkih / Finska + Jesenski dnevi tečejo | As autumn days go by… + HONEY, CINNAMON, RAISINS AND TIME balletquintet + Večmedijski skupinski dogodek: MED ZVERJO IN NEMOČJO + Anže Sever – Rob + friformA\V / 16.08.2018 / Lina Rica (HR) / Bálint Bolcsó (HU) / Samo Kutin (SI) + Neven Korda – Daj mi mir! + Petek trinajstega: Trije zvočni pari + Vida Vojić: poezija, zvok in glas + Špica Ljubljana: Alessandro Di Giampietro – Thinga Things | Stvari + Jana Jevtović & Engin Can: Teleskopiranje | Telescoping + oOo! 5. oOobletnica poOovezoOovanj v C² + Blind Pilots Calculation + A Pit of Koelse | Luknja Koelse: Sublimacija znoja + Velenje v Ljubljani: Kutwyv + Nova londonska scena | New London underground Specimens, JC Leisure, Vida Vojić, Joe Summers + John Duncan “The TELL” = world premier + In vendar se vrti | Eppur Si Muove + Cirkulacija 2: Program 2018 + Disinformation + Savski in Zone + Alte Lezbiše Kunst; zvočni performans + 2017 Kikiriki in ROR v C2 + Doepner in Savski na Robotics Anteprima v Trstu + Marko Batista – Uspavanka za CIRKULACIJO + Nez Pez // Pez Pushing + Maribor: Ambasada Cirkulacija 2 na MFRU + Stiropor = ekspandirani polistiren + Klaus Filip ::optosonics:: + HuXterlTronik = Dani Bedrač + ::vtol:: = Dmitry Morozov + Peter Rauch: Ponavljanje – samostojna skupinska razstava + Knjiga oglja / DopisovanjeM + Monika Pocrnjić – SVAROG.3 + Ponovni vzpon Poljske kraljice! + Tatsuru Arai – Arkhitek-ton /+\ Tinitus – Ljubezen je hladnejša od smrti + M / DopisovanjeM + Tanja Vujinović – Universal Objects (Explosions, BBFs2, Still Life) + Mešani dvojni trojček | Mixed double triplet = Mike Hentz, Javier Areal Vélez, Strunarja + Derek Holzer – VECTOR SYNTHESIS | VEKTORSKA SINTEZA + OPERA ROBOTANIKKA GENESISI Karl Heinz Jeron + ZASAVJE NOISEFEST v C2/Tobačna/Ljubljana! + Adam Donovan & Katrin Hochschuh: Psychophysics Machines and Swarms + Ewa Justka at Robotanikka: Light = Sound || Zvok=Svetloba? + Robotanika: Genesis + Mini Maker Faire @ C2 Tobačna Ljubljana! + Z.B.Ø.R. (Boštjan Perovšek, Marko Košnik, Borut Savski) + Alessandro Di Giampietro – Whatever you think I am that is what i’m not + Seppo Gruendler in Josef Klammer – Mali pribor | Kleines Besteck + Cirkulacija 2: Program 2017 + Preko vode do svobode v Kinu Šiška + Luka Prinčič: Razpoke vmesnika IF4Q + 2016 Duplerica: Boštjan Čadež “ROJ” in DivinaMimesis “AUTOBIOGRAPHICAL ANIMAL” + Simfonija groze. Happy New Fear 2017! + RADART #7: RADAR NAD TOBAČNO + Zaprtje -> Dominik Mahnič – Kosi 2014-2016 + Robotanica at Robotica exhibition in Trieste + slikarska razstava -> Dominik Mahnič | Kosi 2014-2016 + John Duncan v C² ! + Simptomi meta mesta #37: Želja + Anyma na obisku v Cirkulaciji 2 + MC2=Ǝ / gibalna razstava + Neverjetno! 10 let Cirkulacije 2 + Herman & Savski: Vračnica in bali; druga javna vaja + Nina Dragičević: Parallellax release + V nedeljo se dobimo: Na stalnem naslovu najinega početja + Robotanica = C2 does Velenje + Herman & Savski: Vračnica in bali; prva javna vaja! + 3rd august 2016 : Niku Senpuki & Emerge, pavleisdead, Emerge & Neven M. Agalma + Atlas of Tremors v C2 + Zasavje NoiseFest 2016 v C2-labu! + Klima: Nedekadentni koncert? + DekaDANCE + Mike Hentz: Live Art as Research of Culture and Life + Announcing: Clime, decadence, human|machine + Introducing Mike Hentz + Event O5 in C² + In search of the simplicity lost + Urkuma in ROR v C² + April/ maj v Cirkulaciji 2 – uvod v antidekadenco + Sejem Dostop do orodij | Access to Tools + Welcome to ATT/AND Rijeka – abandon normal devices fair! + 2015 happy new fear 2016 – party on wires + Oscar Martin: Extreme Atractors at C2 + Jesenski odmevi Hrup smo mi: Dušan Zidar + Jesenski odmevi Hrup smo mi: Arturas Bumšteinas + Predstavitev C2 tehnologij na #MTFCentral + šmarnica in cvičk v C2: N’toko in Igor Vuk + Cirkulacija 2: Showcase 0.3 = prigodna razstava preteklih in prihodnjih del in opravil + Noise is Us::Cultural Interfaces + Strictly Analog 3# in Svetlobna Gverila v Tobačni & C² + RADART #6 :: RADAR RIZOM :: 4 LETA PLATFORME RADAR + Ars ac²ustic²a -> ART’S BIRTHDAY PARTY, 16. januar 2015 + 2014 Happy New Fear! + Hrup smo mi: Prostor časa | Space Time + Microbot (Stelarc in Doepner) v Cirkulaciji² + C² – the opening of the new Cirkulacija 2 space + Smernice razvoja: Prostor časa + 2013 VELIKA POŽRTIJA – sobota 21. december ob 20.00 + Arduino praktikum = novodobni tehno intenziv + Dva ugrabljenca z MFRU: John Smith in Oscar Martin + C2 / Platforma za totalno umetnost: Tri socialne skulpture + Izjava Cirkulacije 2 – skupine začasnih uporabnikov Roga + Dark forest disko + Zvok organizma – Organizem zvoka + Fruity-Box (Karl Heinz Jeron v Cirkulaciji 2) + Taste of Vtol/ Okus Vtola + Redno letno srečanje ljubiteljev cirkulacije + 2012 Cirkulacija 2: pričetek predstavitev in delavnic Uvod v arduino v RogLabu + Multipla cirkulacija – socius urbis / otvoritev RogLaba + Interšmano = Cirkulacija 2 praznuje… + Sajeta 2012, tehnološke delavnice -> Združene sile C2_TO + Three mice: Cirkulacija 2, Konrad Gęca and Ana Raquel Pereira + Cirkulacija 2 in Zagreb – Močvara gallery, 9. -13. June 2012 + Total Noise Session #3 – Marcus Beuter = umetnost zvoka + v Cirkulaciji 2: Uvod v arduino + Kunst und Brot – Salon des Refusés 2012/1 + 2011 Drevo spoznanja in Hrupni robot v C2 + Total art platform at MFRU 2011 + trial version: Urbi et Orbi intervention – in your city, when the night comes… + Paralelni svetovi na Metelkovi + Cirkulacija 2 na Sajeti 2011 + Cirkulacija 2 na Svetlobni gverili + 42 let RŠ – platforma RADAR + Redundantne tehnologije – zbiralna akcija + Cirkulacija 2: Space is the Place + Indija v Cirkulaciji >< Cirkulacija v Indiji + 2010 Zvoki Cirkulacije 2 na Novem trgu v Ljubljani + Expanded Cirkulacija2 at PixxelPoint + C2_Kiblix_Mfru_Haip : Total Noise Session v Cirkulaciji 2 + Jesenski sadeži Cirkulacije 2 + Social Noise Session + C2 na Paralelnih svetovih na Metelkovi + Cirkulacija 2 at Sajeta 2010 + New media drivers feat. Cirkulacija 2 + Expanded Cirkulacija at Alkatraz – wrapping up + Expanded Cirkulacija at Alkatraz + Cirkulacija na Vstop prost v Celju + Cirkulacija 2 prejme Zlato ptico + Predstavitev Cirkulacije 2 v Novi Gorici + Cirkulacija 2: Pomladanski zvitki in Mehki zvoki naveličanosti + Cirkulacija 2 gosti vegetarijanko, aktivistko, umetnico, glasbenico in galeristko Reni Hofmueller + 2009 Cirkulacija 2 na Netart Community Convention v Grazu + javno snemanje: Analogična kompozicija + Reality show – “voice-noise karaoke” + Moška umetnost / Male art + CIRKULACIJA 2 na festivalu SAJETA pri Tolminu + Prostor zvoka = telo zvoka + Cirkulacija 2 in Antikonzum + Netart – krompir v žerjavici + 2008 Cirkulacija 2: Vladavina Konzuma + Majda Gregorič v Muzeju premoderne umetnosti + Transpozicije prostorov na Paralelnih svetovih + Odprta Cirkulacija 2 + Cirkulacija na koruzi / Dario Seraval v Brlogu + Napoved: Cirkulacija pod pritiskom + Elektro / Elektra + Zvočenja v Cirkulaciji 2 + Novi okusi Cirkulacije 2 + Video: Kerber nezavednega + Kerber nezavednega in druge zgodbe + Okus Cirkulacije 2 – st. 3 + Video: Event C + Čisto običajen večer v Cirkulaciji 2 + Totalna razprodajna razstava umetnosti + Event C: Taljenje umetnosti v dogodek + Hobotnica s polento + Brlog + 2007 Rotirajoči dogodek v Cirkulaciji 2 + BRLOG + Predstavitev Trivia Records / Zapisi v Cirkulaciji 2 + Razbita lepota, Broken beauty + Reanimacija Cirkulacije + CIRKULACIJA 2 v tovarni Rog nadaljuje + Boj se kreativnosti oblastnikov! + INTERDISCIPLINARNA POSTAJA