Borut Kržišnik DANCING MACHINE (new | neu | nov) album
Published on October 10th, 2020Situacija bo oblikovana kot avdio-vizualna poslušalnica t.i. virtualnega simfoničnega orkestra z neposredno možnostjo seznanitve z avtorjevimi pristopi.
Vpogled v album: http://www.borutkrzisnik.si/
Borut Kržišnik:
Umetna inteligenca (UI) v svoji osnovi ni ne zlohotna ne dobra. Oblikovanje ciljev, vrednostnega sistema in moralnih norm se je izkazalo za največji kamen spotike pri oblikovanju varne in zanesljive UI, če naj ta postane človekova partnerica, in ne eksekutorica.
Pri razvoju etične UI, paradoksalno, nikakor ne moremo postaviti za zgled človeka samega oziroma njegovo zgodovino, kjer kri teče v potokih, nepravičnost in trpljenje pa sta inherentni gibali razvoja. UI kljub svoji neznanski zmogljivosti še ni zmožna razumeti človekovega vrednostnega sistema in etike, vzrok za to pa tiči predvsem v dejstvu, da glede tega niti človek sam ni zmožen doseči enotnega konsenza. S tem nerazumevanjem UI postavi človeka pred ogledalo.
Pojmi, ki konstituirajo tisto, kar je človeku najpomembnejše, kot so smisel, pravica, empatija, vera, svoboda, ljubezen ipd., se izkažejo kot pojmi, ki jih ni mogoče natančno definirati. Vrednote, v katere človek verjame in ki oblikujejo pomenski okvir njegove eksistence, se vedno znova izkazujejo kot arbitrarne in neizrekljive – še več, konstitutivno nedoločljive.
Celoten tekst:
http://www.cirkulacija2.org/wp-content/uploads/Stroj-ki-pleše-o-projektu.pdf
Borut Kržišnik (r. 1961) je slovenski skladatelj z domicilom v Ljubljani. Napisal je glasbo za številne celovečerne filme, plesne predstave in gledališke predstave. V svoji glasbi Kržišnik ustvarja stičišče med avantgardno in popularno glasbo – ali “akademske” in “underground” glasbe. Skladbe odlikujejo drznost, intenzivnost, kontrasti in enkraten zvok. Simfonični orkester se z računalniško tehnologijo spremeni v “surrealističen” orkester, ki znotraj polja izziva in odkriva nova ozemlja. Z uporabo glasbenega nadjezika vleče rdečo nit skozi kontraste in nam jih z navdihujočim optimizmom predstavi. Sodeloval je s Petrom Greenawayem, Geraldom Thomasom, Edwardom Clugom, Julie-Anne Robinson in skupino Laibach, če omenimo le nekatere. “Najbolj vznemirljivo je odkrivanje in ponovno odkrivanje oblik in struktur kaosa.”
Domača stran: http://www.borutkrzisnik.si/
The situation will be designed as an audio-visual experience of so-called “virtual symphony orchestra” – with the possibility of getting directly acquainted with the author’s approaches.
Introspection to music available at http://www.borutkrzisnik.si/
Borut Kržišnik:
Artificial intelligence (AI) is basically neither bad nor good. The design of goals, system of values, and moral norms has proven to be the biggest drawback in creating a secure and reliable AI – if it is to become a human partner rather than an executor.
In the development of ethical AI, paradoxically, we can in no way set as an example of human himself / or his history – where blood flows in streams, and injustice and suffering are inherent motives of progress. Despite its immense capacity, AI is not yet able to understand the human system of values and ethics, and the reason for this lies mainly in the fact that human is not able to reach a unified consensus on this. With this misunderstanding, the AI puts the human in front of a mirror.
Concepts that constitute what is most important to man – such as meaning, justice, empathy, faith, freedom, love, etc. – turn out to be concepts that cannot be precisely defined. The values in which man believes, and which form the semantic framework of his existence, repeatedly prove to be arbitrary and inexpressible – moreover, constitutively indefinable.
Borut Krzisnik (b.1961) is a Slovenian composer, based in Ljubljana. He has written music for numerous feature films, dance performances and theatre productions. In his music, Krzisnik creates meeting point for avant-garde and popular music, or else, ‘academic’ and ‘underground’ music. His compositions are characterised by their boldness, intensity, contrasts and unique sound. The symphony orchestra is transformed by computer technology into a “super-real” orchestra, challenging and discovering new territories in symphonic music. Using a polyglot musical language, he draws a common thread through all the contrasts and introduces them to us with inspiring optimism. He has collaborated with Peter Greenaway, Gerald Thomas, Edward Clug, Julie-Anne Robinson and band Laibach, to name but a few. ‘The most thrilling thing is discovering and rediscovering the shapes and structures of chaos’.
Homepage: http://www.borutkrzisnik.si/