abeceda = Young researchers, Basic form and Series Here
Published on March 15th, 2021January covid intensive in Cirkulacija 2 -> Mladi raziskovalci III. Tobija Hudnik – equilibrium as insta_bility (eng.: Young researchers) now appears publicly. In the current manner of confrontations it is entitled Against the dictatorship of noise.
In the current manner of neverending series the closing session was cut into multiple parts – every thursday at 20.00 a new part unveiled! Do not miss any!
Orientation at https://abeceda.io/Mladi-Raziskovalci/
I. part _ [11.3.2021 at 20h] – if you missed the first part….
II. part _ [19.3.2021 at 20h] – if you missed the second part….
III. part _ [25.3.2021 at 20h] – if you missed the third part….
IV. part _ [1.4.2021 at 20h] – if you missed the fourth part….
https://www.youtube.com/watch?v=B5gSgyXASd0
The residencies, concerts and performances cycle Mladi Raziskovalci (Young researchers) is an introduction of a selected younger generation artist into professional and research situations.
Artists selected for residency in 2020 was Tobija Hudnik [Equilibrium as Insta_bility].
More(=Less) at https://abeceda.io/Mladi-Raziskovalci/
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Also available to the broad public is a parallel series of sunday recording sessions that continue from 2020 in the current year:
Neža Zupanc _ Osnovna oblika (eng.: Basic form)
in
Neža Zupanc _ Serija Tu (eng.: Series Here)
All(=Nothing) available at https://abeceda.io/paradigma/
Cirkulacija 2 moto: Processes of production must continue!
A word by the co-producer:
Above is part of ”open channel”activities enabled by Cirkulacija 2 – in the role of an ”infrastructure node”. The selected participating producers are independent in their activities – as long the artistic methods and public presentations in their field (or in the intersection of different fields) will be exploratory and experimental. An additional moment is represented by the word abstract -> their artistic language will not be literal in the form and it will not resort to predictable levers for simple physical-mental-emotional evocation. On the contrary: that it will show the abundance of transferred meanings, which will go beyond the stylistic-artistic vocabulary and reach over the edge – enter into a socio-cultural reality.
Against the dictatorship of noise is, of course, a political outcry – a slogan. The word noise must be (re)defined beforehand, otherwise it refers to the existing definition. This definition can, of course, be literal (noise as aural violence: noise of engines, industry, media, politics), but it can also be defined in a more complex – figurative sense. As the latter, it has been present for decades as (sociologically) defined by Jacques Attali in his essay Noise: The Political Economy of Music; 1977. Noise is something that precedes music. Music always contains inextricably embedded social relations (which are exploitative in capitalism). The noise does not have such relations – it is “before” the music. Noise (in this sense) contains all the diversity of coexisting micro-societies / micro-cultures = subcultures – and in its common form does not allow for an unambiguous view / meaning. Therefore noise (bruit). Noise as life. In this sense, the slogan of Cirkulacija 2 from five years ago: Noise is us! We are: pedestrians, cyclists. In this sense, there can be no equation noise = dictatorship. We claim the exactly opposite: dictatorship can only be music. Of course, if the opposite of noise is music.
