Precarious dreams: Rog

A few observations about the squatted Rog factory in Ljubljana

/for the seminary Precarious spaces/dreams, Graz 3rd, September 2009 /

First of all I have to state that I am not an official representative of Rog but a member of one of the initiatives that occupies a space in Rog – the Cirkulacija 2. This statement also reveals the ideologic situation in the ex-factory Rog. But since the situation now is closing its “temporary” slot of time – the ideology platform of Rog has decayed already.

I would also like to present a wider view – by also incorporating the other big “liberated” space – Metelkova City – which is now legalized (property was transferred from the state ownership to the municipality) and has become a regular place for the niche tourism “of visiting an alternative culture space”. I was a regular observer and often a participant at Metelkova over the past 15 years and especially in the beginning when I was involved professionally at local Radio Student station – the main public support channel for legitimizing the Metelkova squatting.

It should be noted that the squatting of both places were the realization of the real needs for spaces of the local inhabitants – especially the artists for working spaces and people involved in specific public cultural approaches for small public spaces – that the local authorities all through the nineties and in the next decade were not doing anything to fulfill. There is now a solution for this being put out by the city: the “service of public exhibition spaces” – meaning that anyone can apply for the exhibition in one of the city exhibiting places. There are about five such galleries all over the city that will not have their own programs anymore and will be put on the “cultural market”. With this measure the local authorities try to evade the need for providing the specific spaces for different generations or different types of activities. I would call this the “consumation of the needs” of initiatives and ideas and forcing them into temporary existence. By mentioning this word it should be noted that in such use it is already consumed and perverted (if the original sense would be as in the Hakim Bey’s title “Temporary Autonomous Zones” and the usage of word as used below).

The former Rog factory was liberated in the spring of 2006 (after almost 15 years of being empty and slowly demolished) by a couple of groups – mainly the Temp group of socially involved architects and the social activists of the Social center (the remnants of the local “anti-globalist” movement; a “fraction” – to use the old revolutionary language). It was reclaimed as a public space and defined as the temporary place for cultural production. In the first weeks it was daily joined by many individuals and initiatives – on the so-called parliamentary meetings – and always about 50 to 100 observers were present – not so many were the active workers – about 20 to 30.

The ideology of the beginnings of Rog was totally opposite to that of the beginnings of Metelkova. One would say that at Metelkova the masculine element was at work (the mass rush for land… claiming the places, putting them under three locks, preparing the roots of personal economies – many small bars with drinks – and this is the situation still today), while in Rog the feminine element was at work: the wish for cohesion, cooperation among the many different groups and individuals. No locks but sharing of space and always debating about the principles and possible solutions. Both principles were at their very extremes.

One more metaphor for Rog would be: the open-source-code principle. But the openness of it was quickly questioned. Especially in the case of the participants less-willing to share – with more definite ideas about their needs for space and work. The more enterpreneur ones. These would want a separate space, to a certain extent willing to share (“the keys”) – but not with all. Some of the participants with more dislocated ideas than the predominant ideologic core groups were turned down and they left. Some of the members that now occupy Cirkulacija 2 space were also not positive about such situation and we didn’t move in until one year later.

By thinking back I now find the hectic search for a kind of individuation, self-identification as “Rog people” (“rog” meaning horn) by making caps and helmets with horns a miss-conception – especially in the view of the temporary state of things. It poses questions as to what extent it was really meant as temporary. It was clear that there were ideas to create a broader collective platform of temporary usages built up from initiatives that would move from one place to another – even different places – would continue to help each other and in this sense satisfy their longer-term needs and strategies. And this could be done in much less restricted manner than the above mentioned city’s model of satisfying the “niche social consumer by temporary niche services”.

One addition to the floating identities’ problem: to many of the Metelkova people, Rog was seen as competition and vice-versa.

The space of Rog is huge – the main building has four floors, of which only one was used in the beginning – with many spaces around the main building which were left empty. A kind of decompression situation for the handful of people present every day. In the first couple of months it was a huge cleaning place for them and even if helped by some outer people, the place was still huge. Later – when confronted with futility on many levels (the endless cleaning, the endless discussions, the disagreements, the indefinite response – the “non-communication” of the authorities) – an idea of “arbeit macht frei” came to mind and the idea of working youth brigades from the socialist times: just consuming the energy and time and not meant for any kind of practical and immediate results. In other words: a symbol – an individual being consumed in the flames of futility.

In time personal relationships degraded and some individuals were physically and emotionally worn out – and soon left forever – with big resentments about the whole idea of collectivity, the public space. A couple of “generations” rotations happened. Also on the level of “energy”: in “civilized times” the cerebral element was predominant – at other times (let’s use the word “chaotic” – not “anarchic”) the emotional element prevailed. The latter I call the “junky-times”, “hysterical times” – when the “real-timers” prevailed – not always real junkies – but the “emotional people”. The problem is because the focus and view of the future (the time span) – the sequence of actions – the strategy are lost and especially: the time is being lost in timeless discussions. But luckily it was cyclical too.

When Cirkulacija people joined in a year later (spring 2007) the situation was somehow inverted: the main space was left empty and the smaller peripheral spaces were used for individual initiatives. The locks were legitimate. We moved in after presenting the initiative to the Rog parliament. The drawback was that a place that we focused on was being reserved by some other group – and this also puts some questions of people’s perspective of non-legal but legitimate, public but privatized, etc. principles. We used the name Cirkulacija 2 as it was a very appropriate already existing name of the place we moved in (the heath circulation station number 2). I many public events throught the 2007, 2008 and a bit less in 2009 we tried to to propose a semi-public space of discourse in art and other areas, a presentations of principles of art production by raising the focus to processuality and not the finished product, to re-introduce events, actions, happenings, combined with a sort of discoursive “salons” – in opposition to the lifeless exhibitions that were popping up in Slovenia also. All in all: to propose an anti-gallery, anti-museum situation. We also experienced the energy up and downs.

While there were some events at times that involved the whole of the community of Rog – they were very few. The differences between various groups quickly showed. Especially on the level of their basic “public calling”. The social activists were trying to use the artists in a circus-like manner – for entertainment – to fill up their social issue’s event with some cultural program. Of course, artists’ initiatives have their own vision of their public role and also the social issues. The (communication) technologies are widely different and it is not even clear if they want to achieve the same goal. Also the understanding of the co-existence of public and private was never clear. Private things were being “borrowed” or just plain stolen. There was an issue of even creating the internal security, police – not to just replace the city guard at the gates but also to keep the internal criminal level down. The conception of autonomy was going too far in some heads. Luckily this did not happen.

The idea about autonomy should be: a self-run public space with democratic internal structure of decision making, open to new initiatives, being able to sustain the principles and over the time control conformity of initiatives’ activities to the basic principles that gave birth to such a place. Public space is getting consumed by private, so it should be kept as a “cultural reservation”. Definition of limits of the “too private for public space” should be given and it should be linked to the classical relationship between inputs and outputs and where does the difference value go (I am not talking only about money – also the ideas).

And this is enough about the autonomy. On the level of being connected to the standardized distribution channels of public goods (water, electricity, gas, information channels) there should be no question: these are the cheapest sources and should be described as the “normalized level of civilization“. These were denied by all the Ljubljana city authorities and I question the degree of their urbanity.

All throughout the both “liberations” the different city mayors were very careful at raising the issues of Metelkova and Rog. Not in the least it is worth mentioning that the two squatting actions were performed by the people actively involved in so-called “alternative” politically involved culture of the eighties and this was closely linked with the political independence of Republic of Slovenia. One could add that the politicians on the state and the city levels were part of about the same eighties movements – so in a kind of family relationships. The state and city beaurocracy structures have had big plans for these two places – but couldn’t touch it. A couple of times bulldozers have already arrived to the gates of Metelkova, but the political directive was always issued at the last moment to stop them.

However, there was no city or state support either – the politicians were not able to move the beaurocrats. The beaurocrats just had to wait. The fresh mayor from 2007 was a combination of political left-wing post-communist party economic and political elite with strong liberal economy foundations, autocratic and with populist approach. He would lead the city as a private enterprise. For this he had to clean some non-cooperative beaurocrats and the others just adapted to new leadership. He appointed the chief of city urban architecture planning office the academy professor who was teaching urban planning the very same individuals of the Temp group who a year before “liberated ” the public space of Rog.

Throughout the 2007 the discussions were going on between the Rog representatives and the mayor’s office. At one point a document was produced about legitimization of temporary use of public spaces, but at the very last point the mayor had the person responsible for preparing this document changed. It was clear that no legitimization document would be signed. In other words: my observation is that the meta-political-meta-family path followed by the eighties “alternative” generation came to an end.

Another observation: the mayor’s urban planners are unable to respond to real-time citizens needs and demands – and will in time (five years?) probably accept the urban public place models developed and put to action at this very moment elsewhere in Europe. But it will be “consumed” and packaged as a “service” according to the local folklore meta-political-meta-family-meta-NGO principles.

The basic observation would be regarding the growing up (“learning to talk, learning to walk”) of the local civic initiatives. It should be a progression from the acceptance of their infantile position (accepting the paternalistic/ maternalistic position of the local rulers) to the emancipated position in claiming their demands. If Rog situation represents the end of the road for one principle than it can be observed equally as a step in another direction – in growing up.

Borut Savski


Events so-far:

2024 napovedujemo: WILHELM GROENER: 33 SKIZZEN_Cirkulacije 2 + Radart #15: Raz(n)čaranje + avObrat: praznovanje mednarodnega dneva glaaazvoka + SUMISH IN ATSUKO PLEŠETA … + MILOST + Benefit za Boštjana Leskovška – pionirja umetnosti zvoka in poezije po pošti + [multimedijska postavitev] Urška Savič: Teritoriji vračanja + OTS(Organsko Tehnološki Skupek) avtorjev: Mirica Ačko, Liza Šimenc in Q700-UPM + ℕiaℕsa in FriFormaAV: Ka Baird (ZDA)+ OKA (SLO) + Tomaž Kolarič: DIALOŠKOST IN EMPATIČNOST / pregledna razstava + Glitch trigger#1 + Rastišče + [na praznik kulture] Niko Novak – Poslednji med velikimi croonerji | Last of the big crooners + [last minute] vrhunski avdio-vizualni duo MSℍℝ (ZDA) v ŽIVO z MASℍ MAℕIF OLD + [Diskurzor 004] Konzervacija+restavracija v okviru Cirkulacije 2 + 2023 Vesele praznike in pogumen vstop v leto 2024 + ART-MUS: Sejem umetnin in praznik umetniškega izraza! + Aphra Tesla, Stefan Doepner archAngel Incorporated / 8 duš + VIDEOPISMA / Henrike von Dewitz in Simon Svetlik + [sreda] Prepared Surroundings 2023: 15. mednarodni festival eksperimentalnega zvoka + [torek CoFestival] Kolektiv NDA Hrvaška: Predstava, ki nastaja + Translacija | Traslación: Rdeče niti #Cirkulacija 2 + dvojna Friforma: WERCKMEISTER kvartet + Mladi Raziskovalci – kvartet + Osnovni delci Cirkulacije 2 na festivalu IZIS Koper + [interview] “Cirkulacija 2: The space we share” + Agustina De Vera: Čustveno avdio-vizualni zemljevid :: sledi potovanja v Slovenijo + Tom Winkler :: Stròj1 strôja m (ȍ ó) + [Jazzz klub Mezzoforte] ZORAN ŠĆEKIĆ koncert mikrotonalne glasbe + Ne-festival: KRIK :: PRVI GLAS + Vida Vojić :: PATTERNS LEAD ME HERE + [synthi delavnica] Alwin Weber “NoiseToys – not just for boys!” + Neža Knez in Tin Dožić “PARALELNA PRETAKANJA” + THE ANGEL’S SHARE / Del gre za angelce + Domišljija se razmahne, ko je zunaj slabo vreme | Imagination emerges into weathering + RAM RAM mozaična predstava [zadnji ponovitvi] + Colin Black in Stefan Doepner: The Transmittal Hearing + FAUST : : OBNOVA = večmedijski performens + Excuses Izgovori + KRAČA :: Tatiana Kocmur in Marta Fakuch + [3x v tednu] RAM RAM mozaična predstava + [popopraznična] Pogojna aritmija (z ali brez) + RADART # 14: SONOR(N)OST | tudi v Cirkulaciji 2 + CLOCKWORK VOLTAGE – Patch from Scratch + Francisco Tomsich – Borut Savski = Poletne pesmi | Summer Songs + [8. marec] Anita Wach / 30 Stavkov (Končna rešitev in Boj z duhovi) + VELIKI BENEFIT za Cirkulacijo + Goran Tomčić – “Pompom Nets – Ljubljana” = participatorna umetnost + [fotozvočna instalacija] P L A T E AU R E S I D U E: Zaslonke v pokrajini + [sluhodvod] Tu živijo vsi / Everybody Lives Here – The Third Guy + Stijn Demeulenaere + 2022 [Studio 8.1] Get Together — Dogodek št. 4 – Tobija Hudnik + D•still by Miha Godec / intermedijska instalacija + [veseli december] art-MUS: sejem umetnin v C2 + [skejterji only] “Pet let na svet; hlače spet” = pet za pet v petek + Tjaž in Gizmo :: Glasbena miza + Visual(s) Edition + [Via Negativa vabi] GLASS ILLKA / na predvečer referendumskega dne + Studio 8.1 – Jan Kopač – Vignettes + Fukuhara Lisk Savski :: Dislociran duh + Radharani Pernarčič – PLESNI VODIČ PO KATALOGU UDOBJA + TZUSSS / Silvan Schmid, Tizia Zimmermann, Urška Savič + Maayan Liebman Sharon – INTIMACY / work in progress + Cirkulacija 2 & Stroj za izboljšanje sveta na PixxelPoint v Novi Gorici + FUCKUPTIMEMACHINE by Vida Vojić + [vabljeni] Studio 8.1 / Jan Kopač – Sin_thesis + BIG BANG vs STRING THEORY / big-bend Cirkulacija 2 + Guionnet | Murayama | Filip :: 3 x 2 = 3? + ŽIVI FOSIL / Tatiana Kocmur, Liza Šimenc + Javno dobro in nestanovitni mediji + Nina Stopar – Rojstvo slike | The Birth of a painting + ME SLIŠIŠ :: mozaični dogodek v Cirkulaciji² + ZAKLONIŠČNI TRIO (Estela Žutić, Keiko Myazaki, Gilles Duvivier) + First Terrace Tour 2022: Sofheso, Specimens, Skip Summers, JC Leisure + FriForma: PASCAL NIGGENKEMPER – La vallée de l’étrange / Dolina čudes + [last minute] Zebracadabra: Z/Apophasis – concertanz + Radio Študent TRESK #13: razstava vizualnih natečajev + Studio 8.1: Tobija Hudnik: Get Together, Dogodek št. 3 + Studio 8.1: Tobija Hudnik: Get Together, Dogodek št. 2 + Lapsus-quo / NOTA – Elvis Homan, Boštjan Simon, Liza Šimenc + Studio 8.1: Tobija Hudnik: Get Together, Dogodek št. 1 + Oblak / gibalno-zvočna video kompozicija + Untergrunt poletni jazz festival: Marko Petrušič Petko + Maja Weiss – BELI BOJEVNIK V ČRNI OBLEKI | director’s cut! + KA TO GLEDAŠ / končna razstava študentk in študentov 3. letnika VIST + Neža Zupanc – recital za flavto + Skupni imenovalec | Common Denominator / velika skupinska razstava + FriForma & Cirkulacija 2: Drašlerja in Røysum + Anita Wach: Levica Sredica Pravica & zvočne zgodbe + Draženje očesa // 53. rojstni dan Radia Študent! + Studio 8.1: Jan Kopač + Kasper T Toeplitz: Elemental II & Burning House + Uspavanka za Cirkulacijo št. 2 in druge zvočne zgodbe + KonstruktK3 smo državljani NSK + [neumorna] FriForma: VVU (Violeta García & Javier Areal Veléz) in Primož Sukič + Martina Jurak: Prehajanje : : Cirkulacija 2 + KUD Mreža / FriFormA\V: MRM trio & Lina Rica + Feminizem zavzema mesto! FriFormA\V in Rdeče zore + Prezenca in e-senca akademskega slikarja Dominika Mahniča + [Cirkulacija 2 & FriForma] Dve trobenti: Silvan Schmid & Timothée Quost / dva Seijira: Seijiro Murayama & Jernej Babnik Romaniuk + Emil Memon GRAFFITI finissage! + 2021 beepblip, Tisa Neža Herlec, Lina Rica: Relativna tišina ob zori + Marta Fakuch – Wellness @ C2 + Emil Memon – GRAFFITI + Studio 8.1: Kako živijo ljudje (bonus track) + KUD Obrat: Onkraj 10 let & Stefan Doepner: Humus + Joe Summers: Five New Songs + 1,5 + Diorama: vizualni dialog Tatiane K. in Giampaola P. + Studio 8.1 #4/21 Brina Kren: kako živijo ljudje. + Mladi Raziskovalci IV. – Lenart De Bock – Steps + Tjaž Juvan: NOISTER::C² – cirkus cirkulatio + Dialog 1,5 + Asinhronost / Tatiana Kocmur in Borut Savski + Tao G. Vrhovec Sambolec – Brati (kot) telesa + Studio 8.1 #3 + Šum #16 + zapovedujemo: John Duncan – Ž + FriFormA\V: LĪMEN + Festival Re_humanizacija! + Cirkulacija 2 – Stroj za izboljšanje sveta v Celju | World Improvement Machine in Celje | 2. letnik + Elvin Brandhi – FEAR THE FEARLESS | BOJ SE NJIH, KI NE POZNAJO STRAHU + Studio 8.1 — Kako živijo ljudje, 2/21 + Barbara Kapelj – Lastne sobe | Rooms of Their Own -> WOW + Gonko Doepner Organism + Mike Hentz – KROG | CIRCLE => festival! + Zeleni zvoki Umoblodnice + JazzzklubMezzoforte Cirku5lacijA sVOBODNImEDmEDIJSKIjAMsEssION + Studio_8.1 _ Brina Kren _ kako živijo ljudje + Barbara Kapelj – Mesto prihodnosti / urbanistično-gradbena delavnica za najmlajše + Peter & Alexander = how to keep loudness quiet? | kako ohraniti glasnost tiho? + Radharani Pernarčič & Cirkulacija 2: IZUMIJE CASTRA FIK ARKEINVAINTIONS OF CASTRO FIK ARKA + abeceda = Mladi raziskovalci, Osnovna oblika in Serija TuYoung researchers, Basic form and Series Here + Rdeče zore: Ingver in GverilkII + Kvadratni meter: NAJEMNINA + STROŠKISquare meter: RENT + COSTS + Duhovi preteklosti oživljeniGhosts of the Past resurrected + 2020 Razširjena Cirkulacija 2: Stroj za izboljšanje svetaExpanded Cirkulacija 2: World Improvement Machine + Kovidska (hiper)produkcija Cirkulacije 2Covid (hyper)production of Cirkulacija 2 + Neven Korda – SPOMINI NA SEDANJOST + Razglas: Mehatronična delavnica Cirkulacije 2 + Borut Kržišnik DANCING MACHINE (new | neu | nov) album + FriFormA\V: Christine Schörkhuber / Noid (Avstrija) – Razmestitve (zvočne instalacije) + Studio_8.1 _kako živijo ljudje, drugič + Q Hologram 2070: Muzej raznolikosti + Vida Voyage aka Vida Vojić aka lonesome cowboy aka secret agent… + Alessandro Di Giampietro – “Assist” | “Pomagalo” – Ikonografija objema Iconography of a Hug + /// Polymorphic ritual //// + presentation_performance: Sailor_log: 3rd ocean + post_festum: uvertura festivala A dela? v Cirkulaciji 2 + ČAS BREZ DOTIKA – skupinska razstava + FRIFORMA\AV: NOITU – SCATTER_RADAR + Skladnjin skupek #1: ad-hoc koncert v Cirkulaciji | podhod Ajdovščina + Studio_8.1 _kako živijo ljudje + Stroj za izboljšanje sveta | weltverbesserungmaschine + Tatiana Kocmur | Liza Šimenc – MARY JANE + Francisco Tomsich -> ELEGIJA | ELEGY + Program 2020 + Cirkulacija 2: Novice iz podzemljaNews from the Crypt + Cirkulacija2GO – kot Feniks!like Phoenix! + Cirkulacija 2 uspešno izseljena! Exodos completed! + [izseljevanje] Cirkulacija 2 na prelomu + 2019 [napovedujemo] Javno-zasebno partnerstvo! + Angstblüten II / Timor Flores II + Nikolaus Woernle et al. – MODULAR MONSTER + Elvin Brandhi: Welcome in the harvest and usher in “the dark half of the year”!Pozdrav žetvi in nastopu mračnejšega dela leta! + Dre A. Hočevar et al – Verso Doxa / celotedenski intenziv + Terraformer predstavlja: Ž, Neo Cymex in Kikiriki + Robert B. Lisek & Cirkulacija 2: UI za umetnike – AI for artists + Boštjan Čadež: Gospod Procesor, razumete življenje?Mr Processor, do you understand life? + B-stran: Lab Irint + Dominik Mahnič – 1/200 + IvAnKe – Outsukisama | performens/ predstava + Rdeča Raketa & Patrick K.-H v Cirkulaciji 2 + Doepner & Summers: Drevesna harfa (ali: Samo drevo nas je), prvi delTree harp (or: Just the Tree of Us), first part + Vida Vojić – Dreams of New NarrativesSen novih zgodb + RAZPROSTOR – razstava in večmedijski dogodek + Skrivni svet NoldusoveSecret Universe of Noldus + RHIZOMAS /Ryuzo Fukuhara, Tracy Lisk, Stefan Doepner/ + Urška Preis & Kaja Janjić – Razgaljeno + tridnevna kitarska šagra: Gino Lucente – Sagra + Sukitoa O Namau & Joe Summers live + Joe Summers | The Last Of England – live score + Tristo tisoč duš na ljubljanskem graduCongregation at the castle: Three hundred thousand souls + RADART #10: X/L Experiment: Radio Tovarna + Cirkulacija 2: Kakofonija kakovizija v OsmoziCirkulacija 2: Cacophonia Cacovisia at Osmoza + ALUO uho in ALUO+C2 praktikum + Program 2019 + 2018 Ne(do)konč(a)no… + “-O-” = Simon Svetlik, Ryuzo Fukuhara in Takatsuna Mukai v C2 + Sound Chambers Series vol. VIII meets C2 + “Bodi Jimi tudi ti!” – delavnica na Gradu Kromberk | Pixxelpoint 2018 + C2 na festivalu Umetnosti in robotike v Trstu | C2 at the Festival of Arte e Robotica in Trieste + Biti aparat | biti umetnik = Roboti risarji + Simpozij Umetnost umetne inteligence | The Art of Artificial Intelligence + Exodos: C2 v Helsinkih / Finska + Jesenski dnevi tečejo | As autumn days go by… + MED, CIMET, ROZINE IN ČAS balletkvintetHONEY, CINNAMON, RAISINS AND TIME balletquintet + Večmedijski skupinski dogodek: MED ZVERJO IN NEMOČJO + Anže Sever – Rob + friformA\V / 16.08.2018 / Lina Rica (HR) / Bálint Bolcsó (HU) / Samo Kutin (SI) + Neven Korda – Daj mi mir! + Petek trinajstega: Trije zvočni pari + Vida Vojić: poezija, zvok in glas + Špica Ljubljana: Alessandro Di Giampietro – Thinga Things | Stvari + Jana Jevtović & Engin Can: Teleskopiranje | Telescoping + oOo! 5. oOobletnica poOovezoOovanj v C² + Izračun Slepih PilotovBlind Pilots Calculation + A Pit of Koelse | Luknja Koelse: Sublimacija znoja + Velenje v Ljubljani: Kutwyv + Nova londonska scena | New London underground Specimens, JC Leisure, Vida Vojić, Joe Summers + John Duncan “The TELL” = svetovna premieraJohn Duncan “The TELL” = world premier + In vendar se vrti | Eppur Si Muove + Cirkulacija 2: Program 2018 + Disinformation + Savski v ConiDisinformation + Savski in Zone + Alte Lezbiše Kunst; zvočni performans + 2017 Kikiriki in ROR v C2 + Doepner in Savski na Robotics Anteprima v Trstu + Marko Batista – Uspavanka za CIRKULACIJO + Nez Pez // Pez Pushing + Maribor: Ambasada Cirkulacija 2 na MFRU + Stiropor = ekspandirani polistiren + Klaus Filip (Dunaj/ Avstrija) ::optosonics::Klaus Filip ::optosonics:: + HuXterlTronik = Dani Bedrač + ::vtol:: = Dmitri MorozovHuXterlTronik = Dani Bedrač + ::vtol:: = Dmitry Morozov + Peter Rauch: Ponavljanje – samostojna skupinska razstava + Knjiga oglja / DopisovanjeM + Monika Pocrnjić – SVAROG.3 + Ponovni vzpon Poljske kraljice! + Tatsuru Arai – Arkhitek-ton /+\ Tinitus – Ljubezen je hladnejša od smrti + M / DopisovanjeM + Tanja Vujinović – Univerzalni objekti (Eksplozije, BBFs2, Tihožitje)Universal Objects (Explosions, BBFs2, Still Life) + Mešani dvojni trojček | Mixed double triplet = Mike Hentz, Javier Areal Vélez, Strunarja + Derek Holzer – VECTOR SYNTHESIS | VEKTORSKA SINTEZA + OPERA ROBOTANIKKA GENESISI Karl Heinz Jeron + ZASAVJE NOISEFEST v C2/Tobačna/Ljubljana! + Adam Donovan & Katrin Hochschuh: Psychophysics Machines and Swarms + Ewa Justka at Robotanikka: Light = Sound || Zvok=Svetloba? + Robotanika: Genesis + Mini Maker Faire @ C2 Tobačna Ljubljana! + Z.B.Ø.R. (Boštjan Perovšek, Marko Košnik, Borut Savski) + Alessandro Di Giampietro – Whatever you think I am that is what i’m not + Seppo Gruendler in Josef Klammer – Mali pribor | Kleines Besteck + Cirkulacija 2: Program 2017 + Preko vode do svobode v Kinu Šiška + Luka Prinčič: Razpoke vmesnika IF4Q + 2016 Duplerica: Boštjan Čadež “ROJ” in DivinaMimesis “AUTOBIOGRAPHICAL ANIMAL” + Simfonija groze. Happy New Fear 2017! + RADART #7: RADAR NAD TOBAČNO + Zaprtje -> Dominik Mahnič – Kosi 2014-2016 + Robotanika na razstavi Robotica v TrstuRobotanica at Robotica exhibition in Trieste + slikarska razstava -> Dominik Mahnič | Kosi 2014-2016 + John Duncan v C² ! + Simptomi meta mesta #37: Želja + Anyma na obisku v Cirkulaciji 2 + MC2=Ǝ / gibalna razstava + Neverjetno! 10 let Cirkulacije 2 + Herman & Savski: Vračnica in bali; druga javna vaja + Nina Dragičević: Parallellax release + V nedeljo se dobimo: Na stalnem naslovu najinega početja + Robotanica = C2 does VelenjeRobotanika = C2 gre v Velenje + Herman & Savski: Vračnica in bali; prva javna vaja! + : Niku Senpuki & Emerge, pavleisdead, Emerge & Neven M. Agalma + Atlas of Tremors v C2 + Zasavje NoiseFest 2016 v C2-labu! + Klima: Nedekadentni koncert? + DekaDANCE + Mike Hentz: Živa umetnost kot raziskava kulture in življenjaLive Art as Research of Culture and Life + Napovedujemo: Klima, dekadenca, človek|strojAnnouncing: Clime, decadence, human|machine + Kdo je Mike HentzIntroducing Mike Hentz + Dogodek O5 v C² Event O5 in C² + V iskanju izgubljene enostavnostiIn search of the simplicity lost + Urkuma in ROR v C² + April/ maj v Cirkulaciji 2 – uvod v antidekadenco + Sejem Dostop do orodij | Access to Tools + Welcome to ATT/AND Rijeka – abandon normal devices fair!Dobrodošli na ATT/AND Rijeka – Semenj umetniških orodij! + 2015 happy new fear 2016 – zabava na žicahparty on wires + Oscar Martin: Ekstremni Atraktorji v C2Extreme Atractors at C2 + Jesenski odmevi Hrup smo mi: Dušan Zidar + Jesenski odmevi Hrup smo mi: Arturas Bumšteinas + Predstavitev C2 tehnologij na #MTFCentral + šmarnica in cvičk v C2: N’toko in Igor Vuk + Cirkulacija 2: Showcase 0.3 = prigodna razstava preteklih in prihodnjih del in opravil + Hrup smo mi::Kulturni vmesnikiNoise is Us::Cultural Interfaces + Strictly Analog 3# in Svetlobna Gverila v Tobačni & C² + RADART #6 :: RADAR RIZOM :: 4 LETA PLATFORME RADAR + Ars ac²ustic²a -> ART’S BIRTHDAY PARTY, 16. januar 2015 + 2014 Happy New Fear! + Hrup smo mi: Prostor časa | Space Time + Microbot (Stelarc in Doepner) v Cirkulaciji² + C² – otvoritev novega prostora Cirkulacije 2C² – the opening of the new Cirkulacija 2 space + Smernice razvoja: Prostor časa + 2013 VELIKA POŽRTIJA – sobota 21. december ob 20.00 + Arduino praktikum = novodobni tehno intenziv + Dva ugrabljenca z MFRU: John Smith in Oscar Martin + C2 / Platforma za totalno umetnost: Tri socialne skulpture + Izjava Cirkulacije 2 – skupine začasnih uporabnikov Roga + Globoki temni gozdDark forest disko + Zvok organizma – Organizem zvoka + Fruity-Box (Karl Heinz Jeron v Cirkulaciji 2) + Taste of Vtol/ Okus Vtola + Redno letno srečanje ljubiteljev cirkulacije + 2012 Cirkulacija 2: pričetek predstavitev in delavnic Uvod v arduino v RogLabu + Multipla cirkulacija – socius urbis / otvoritev RogLaba + Interšmano = Cirkulacija 2 praznuje… + Sajeta 2012, tehnološke delavnice -> Združene sile C2_TO + Tri muhe na en mah: Cirkulacija 2, Konrad Gęca in Ana Raquel PereiraThree mice: Cirkulacija 2, Konrad Gęca and Ana Raquel Pereira + Cirkulacija 2 v Zagrebu – galerija Močvara, 9. -13. junij 2012Cirkulacija 2 in Zagreb – Močvara gallery, 9. -13. June 2012 + Total Noise Session #3 – Marcus Beuter = umetnost zvoka + v Cirkulaciji 2: Uvod v arduino + Kunst und Brot – Salon des Refusés 2012/1 + 2011 Drevo spoznanja in Hrupni robot v C2 + Platforma za totalno umetnost na MFRU 2011Total art platform at MFRU 2011 + testna verzija: Urbi et Orbi intervencija – v vašem mestu, ko pade noč…trial version: Urbi et Orbi intervention – in your city, when the night comes… + Paralelni svetovi na Metelkovi + Cirkulacija 2 na Sajeti 2011 + Cirkulacija 2 na Svetlobni gverili + 42 let RŠ – platforma RADAR + Redundantne tehnologije – zbiralna akcija + Cirkulacija 2: Space is the Place + Indija v Cirkulaciji >< Cirkulacija v Indiji + 2010 Zvoki Cirkulacije 2 na Novem trgu v Ljubljani + Razširjena Cirkulacija 2 na PixxelpointuExpanded Cirkulacija2 at PixxelPoint + C2_Kiblix_Mfru_Haip : Total Noise Session v Cirkulaciji 2 + Jesenski sadeži Cirkulacije 2 + Social Noise Session + C2 na Paralelnih svetovih na Metelkovi + Cirkulacija 2 na festivalu Sajeta 2010Cirkulacija 2 at Sajeta 2010 + New media drivers feat. Cirkulacija 2 + Expanded Cirkulacija at Alkatraz – wrapping up + Expanded Cirkulacija at Alkatraz + Cirkulacija na Vstop prost v Celju + Cirkulacija 2 prejme Zlato ptico + Predstavitev Cirkulacije 2 v Novi Gorici + Cirkulacija 2: Pomladanski zvitki in Mehki zvoki naveličanosti + Cirkulacija 2 gosti vegetarijanko, aktivistko, umetnico, glasbenico in galeristko Reni Hofmueller + 2009 Cirkulacija 2 na Netart Community Convention v Grazu + javno snemanje: Analogična kompozicija + Reality show – “voice-noise karaoke” + Moška umetnost / Male art + CIRKULACIJA 2 na festivalu SAJETA pri Tolminu + Prostor zvoka = telo zvoka + Cirkulacija 2 in Antikonzum + Netart – krompir v žerjavici + 2008 Cirkulacija 2: Vladavina Konzuma + Majda Gregorič v Muzeju premoderne umetnosti + Transpozicije prostorov na Paralelnih svetovih + Odprta Cirkulacija 2 + Cirkulacija na koruzi / Dario Seraval v Brlogu + Napoved: Cirkulacija pod pritiskom + Elektro / Elektra + Zvočenja v Cirkulaciji 2 + Novi okusi Cirkulacije 2 + Video: Kerber nezavednega + Kerber nezavednega in druge zgodbe + Okus Cirkulacije 2 – st. 3 + Video: Event C + Čisto običajen večer v Cirkulaciji 2 + Totalna razprodajna razstava umetnosti + Event C: Taljenje umetnosti v dogodek + Hobotnica s polento + Brlog + 2007 Rotirajoči dogodek v Cirkulaciji 2 + BRLOG + Predstavitev Trivia Records / Zapisi v Cirkulaciji 2 + Razbita lepota, Broken beauty + Reanimacija Cirkulacije + CIRKULACIJA 2 v tovarni Rog nadaljuje + Boj se kreativnosti oblastnikov! + INTERDISCIPLINARNA POSTAJA