Dialog 1,5 + Asinhronost / Tatiana Kocmur in Borut Savski
Published on September 30th, 2021[lang_si]V petek 1. oktobra 2021 ob 20.00 vabljeni v Cirkulacijo 2 | Podhod Ajdovščina Ljubljana na audiovizualni dialog Tatiane Kocmur in Boruta Savskega
1,5 + Asinhronost
Cirkulacija 2, Podhod Ajdovščina 2, Ljubljana
Petek, 1. 10. 2021, ob 20.00
Audiovizualni dialog 1,5 + Asinhronost Tatiane Kocmur in Boruta Savskega prikazuje dva estetsko avtonomna kompozita in njun preplet / razplet. Na eni strani je komuniciranje dveh teles, ki z določenimi instrumenti izvajata repeticijo preprostih gibov in zvokov. Na drugi strani je računalniško generirana/ pervertirana podoba ( in zvok), ki se v razmerju do originala osamosvoji – bodisi kot enakovreden partner podobe obeh fizičnih teles, ali kot vedno bolj dominirajoča prisotnost posredovanega, ki kani vzpostaviti dominanco nad telesno prisotnim.
V času, ko se fizični svet zaradi omejitev ob izbruh pandemije v veliki večini prestavi v prenešeni / digitalni svet, se razdalje med telesi večajo – tako tudi potujitve ob pšosredovanju/ izmenjevanju informacij. Pri digitalnem komuniciranju na daljavo, kjer fizični telesi (ali več njih) nista prisotni v istem prostoru, se pojavi fenomen časovnega zamika zvoka in giba, ki je v osnovi disociacija / dislokacija – in pomeni odmik od telesa / fizičnosti / koherence misli, (materialnosti) sveta.
Sinhronost pojavnosti/ dejavnosti in njegove posledice, ki je lahko zvok, podoba ali kaj drugega, je v fizikalnem svetu na videz zagotovljena. Kadar so bližine med telesi majhne, in govorimo o fizičnosti oz. telesnosti, je sinhronosti ugodeno – premik povzroči zvok, opazovalec spremlja povsem koherentno podobo premikanja. V prenešenih svetovih (in predvsem v t.i. digitalnih) se koherenca v različnih stopnjah izgublja. Fizično telo izgublja povezavo s svojo podobo in/ali s svojimi komplementi. V prenešenem zvoku in podobi govorimo o latenci (zakasnitvi).
Asinhronosti (nasprotje sinhronosti), ki se zgodijo zaradi zakasnitve, se kažejo v vsakem koraku našega zaznavanja in komuniciranja z okolico (npr.: nezmožnost neposrednega reagiranja na dano situacijo, kar je lahko zaradi zavore strahu ali ponotranjene socializacije/ bontona). Trenutni čas fizične distance pa lahko vnaša nove oblike asinhronosti, saj je izolirani posameznik že disociirani posameznik – oddaljen je od drugih teles, ki mu ne vračajo neposrednega pogleda – da bi ga tako konkretizirala.
Umetnika izhajata prav iz izoliranega subjekta, ki v želji po bližini išče potencialne sogovorce in alternativne načine komuniciranja. Fizična podoba dveh osebkov, ki s pomočjo izbranih vzvodov/ instrumentov komunicirata, je postavljena ob lastno digitalno podobo. Dogajanje v prostoru je podvojeno. Ciklični tok komuniciranja v prostor vnaša več informacij in ustvari asinhrono razmerje dveh svetov. Kompleksna razmerja med telesoma (oz. več njih zaradi prisotnosti obiskovalk-cev) in digitalno podobo – gibi, vzvodi, instrumeti in zvoki – preizprašujejo smiselnost originalnosti dogodka – povezava med originalom in njegovim dvojnikom se zamegli. Nastaneta dve avtonomni celoti.
Foto: Nina Pernat
Delo je del projekta 1,5 + avtorice Tatiane Kocmur, ki obravnava zdajšnjo situacijo omejenega gibanje in neželjenega dotika, ki v svoji entiteti združuje osebne in kolektivne reflesije časa in ustvarja tri vizualne dialoge z različnimi umetniki. Vizualni dialogi so nastali z idejo in željo prepletanja različnih umetniških izrazov, izmenjevanju mnenj in ustvarjanju kreativnega diskurza, ki temelji na razmerju dveh teles – posameznice-ka in skupnosti, telesa in novih načinov sporazumevanja.
1,5 + Asinhronost je drugi dialog iz serije dogodkov združenih v projektu 1,5 +. Prva dva dogodka sta bila izvedena v sodelovanju z MGLC Švicarijo in s Športnim Društvom Tabor. Slednji in tudi zadnji bo prikazan v prostoru Hupa Brajdič Produkcije v podhodu Ajdovščine. Umetnica s projektom povezuje vizualni jezik s performativnostjo in gibom, različna prizorišča in umetniške skupnosti ter mesto z naravo.
Projekt sofinancira Ministrstvo za kulturo RS.
V sodelovanju s: Cirkulacijo 2, ki jo sofinancira Mestna občina Ljubljana.
Tatiana Kocmur (1992) je vizualna umetnica, ki živi in dela v Sloveniji. V svoji praksi deluje na prehodu med likovno in performativno umetnostjo. Od leta 2017 ustvarja z Lizo Šimenc v tandemu Kresnička. Poleg avtorskih del je opravljala organizacijska in kuratorska dela (kreativno stanovanje PRMEJDUŠ, Galerija Zelenica). Je soustanoviteljica platforme TRANSLACIJA/TRASLACIÓN. Leta 2015 je kot slikarka diplomirala na Akademiji za likovno umetnost in oblikovanje v Ljubljani. Leta 2020 je v isti ustanovi zaključila podiplomski študij slikarstva z magistrskim delom Telesna instalacija – med performansom in objektom. Od leta 2013 sodeluje na različnih samostojnih in skupinskih razstavah doma in v tujini. V letu 2021 je štipendistka Ministrstva za kulturo RS.
Borut Savski (1960) je intermedijski umetnik, ki daje velik poudarek zvoku – ob sočasni uporabi tehničnih rešitev za nevsakdanje instrumente in avtonomne zvočne in vizualne strukture/ skulpture. S tem so tesno povezane mikrosocialne situacije, v katere vstopa in/ali jih kreira. Osnovni pristop je na ravni metafor – točk, kjer se zgodijo prenosi/ prevodi pomenov/ motivov/ motivacij med različnimi diskuzivnimi polji. Umetniška produkcija je vseskozi vzporedna in prepletena z drugo produkcijo. Tehnologija, programiranje, glasba, pogled na družbo. Trenutno preokupacija s taktilnimi vmesniki in interaktivno generiranim videom / zvokom/ glasbo. Različna in številna sodelovanja, organizacije in soorganizacije dogodkov/ festivalov. Veliko dela v programu Cirkulacije 2, kjer se udejanja koncept sodelovalne raziskovalne in eksperimentalne umetnosti in predvsem post-disciplinarne umetnosti – kjer umetniki suvereno posegajo in družijo vse sfere umetnosti.
[lang_en]Friday, 1. october 2021 at 20.00 – audiovisual dialog of Tatiana Kocmur and Borut Savski:
1.5 + Asynchronicity
Cirkulacija 2, underpass Ajdovščina 2, Ljubljana
Friday, Oct. 1, 2021, at 8 p.m.
Audiovisual dialogue 1.5 + The asynchronicity of Tatiana Kocmur and Borut Savski shows two aesthetically autonomous composites and their intertwining / unfolding situation. On the one hand, there is the communication of two bodies, which perform the repetition of simple movements and sounds with certain instruments. On the other hand, there is a computer-generated / perverted image (and sound) that becomes independent of the original – either as an equal partner of the image of both physical bodies, or as an increasingly dominant presence of the mediated – intending to dominate over the physical.
At a time when the physical world is largely shifting to the transmitted / digital world – due to the constraints of a pandemic outbreak – the distances between bodies are increasing, as are the delays / transformations of digital exchanged information. When communicating at a distance, where physical bodies (or several of them) are not present in the same space, the phenomenon of time delay of sound or visual occurs – which is basically a dissociation / dislocation – and it represents the departure from body presence / physicality / coherence of thought -> the physical world.
The synchronicity of the phenomenon / activity and its consequences, which can be sound, image or something else, is seemingly guaranteed in the physical world. When the closeness between the bodies is small and we are talking about physicality – the synchronicity is assured – movement causes sound, the observer follows a coherent image of movement. In transmitted worlds (and especially in so-called digital ones), coherence is lost to varying degrees. The physical body loses connection with its image and / or with its complements. In the transmitted sound and image we speak of latency (delay).
Asynchrony (the opposite of synchronicity) that occurs due to delay is manifested in every step of our perception and communication with the environment (eg: inability to react directly to a given situation, which may be due to inhibition of fear or internalization of etiquette). The current time of physical distance, however, can introduce new forms of asynchrony, as the isolated individual is already a dissociated individual. He/ she is distant from other bodies, which do not return their direct gaze to him / her – in order to provide some returned proofs of his / her physicality.
In the performance the two artists start with this idea of an isolated subjec. In the desire for closeness, they are searching for potential interlocutors and alternative ways of communication. The physical image of two individuals communicating with their movements and instruments is placed side by side with their own digital image. The activities in space are mirrored / doubled. The cyclical flow of communication introduces more information into space and creates an asynchronous relationship between the two worlds. The complex relationships between the bodies (or more of them due to the presence of visitors-tubes) and the digital image – instruments, movements and sounds – question the coherence of the event – the connection between the original and its duplicate is blurred. Two autonomous wholes are formed.
Photo: Nina Pernat
The work is part of the 1.5+ project by Tatiana Kocmur, which addresses the current situation of limited movement and unwanted touch, combining personal and collective reflections of time in its entity and creating three visual dialogues with different artists. Visual dialogues were created with the idea and desire to intertwine different artistic expressions, exchange opinions and create a creative discourse based on the relationship between two bodies – the individual and the community, the body and new ways of communication.
1.5 + Asynchronisity is the second dialogue in a series of events combined in the 1.5 + project. The first two events were held in cooperation with MGLC Switzerland and the Tabor Sports Association. The last will be shown in the space of Hupa Brajdič Produkcije in the Ajdovščina subway. With the project, the artist connects visual language with performativity and movement, various venues and artistic communities, and the city with nature.
The project is co-financed by the Ministry of Culture of the Republic of Slovenia.
In collaboration with: Cirkulacija 2 – co-financed by the City of Ljubljana.
Tatiana Kocmur (1992) is a visual artist who lives and works in Slovenia. In her practice, she works on the transition between fine and performing arts. Since 2017, she has been creating with Lisa Šimenc in tandem as Kresnička. In addition to her own work, she did organizational and curatorial work (creative apartment PRMEJDUŠ, Zelenica Gallery). She is a co-founder of the TRANSLACIJA / TRASLACIÓN platform. In 2015, she graduated as a painter at the Academy of Fine Arts and Design in Ljubljana. In 2020, she completed her postgraduate studies in painting at the same institution with her master’s thesis Body Installation – Between Performance and Object. Since 2013, she has participated in various solo and group exhibitions at home and abroad. In 2021, she is a scholarship holder of the Ministry of Culture of the Republic of Slovenia.
Borut Savski (1960) is an intermedia artist who puts great emphasis on sound – while using technical solutions for unusual instruments and autonomous sound and visual structures / sculptures. Closely related to this are the microsocial situations in which he enters and / or creates them. The basic approach is at the level of metaphors – the points where transfers / translations of meanings / motives / motivations take place between different discussion fields. Artistic production is always parallel and intertwined with other fields. Technology, programming, music, view of society. Currently preoccupied with tactile interfaces and interactively generated video / sound / music. Various and numerous collaborations, organizations and co-organizations of events / festivals. He does a lot of work in the Cirkulacija 2 program, where the concept of collaborative research and experimental art and especially post-disciplinary art is sought after.