[Cirkulacija 2 & FriForma] Dve trobenti: Silvan Schmid & Timothée Quost / dva Seijira: Seijiro Murayama & Jernej Babnik Romaniuk
Published on January 27th, 2022[lang_si]V petek 4. februarja 2022 ob 20.00:dva vrhunska – dokaj neglasbena /ne preveč glasbeno konkretna / a glasbeno izjemno zanimiva izleta -> jasno: v Cirkulaciji 2, Podhod Ajdovščina, 1000 Ljubljana!
Oba dvojca se (po našem mnenju) močno trgata od determinant (že sicer dokaj razrahljanega) glasbenega okvirja, kar pri instrumentalistih pomeni še dodatno trganje od večstoletnih determinant njihovega instrumenta. Kako je mogoče, da se kljub takemu pristopu muziciranju vseeno prenesejo vse navdihujoče glasbene prvine?
Silvan Schmid & Timothée Quost
Silvan Schmid (CH) akustična in ojačana trobenta
Timothée Quost (FR) akustična in ojačana trobenta
Trobentaški duet Silvana Schmida in Timothéeja Quosta ustvarja in razvija svobodno improvizirano glasbo z eksperimentalnim pristopom skladanju in prosto sprotno skupno domišljijskim pristopom. Na tej prvi skupni turneji se bosta 4. februarja ustavila v ljubljanski Cirkulaciji 2.
in enakovredni lokalni intro:
Seijiro Murayama & Jernej Babnik Romaniuk
Seijiro Murayama (JPN) akustična tolkala in glas
Jernej Babnik Romaniu (SLO) elektronske zvočne intervencije
Seijiro Murayama je že več let dokaj pogosto gost na lokalnih prizoriščih in rezidencah. Njegov ponavadi skrajno čist pristop temelji na pozornosti do prostora in kraja, energije publike – ter do doživljanja tišine (na različnih ravneh). Jernej Babnik Romaniuk bo svoje sprotne zvočne intervencije gradil s pomočjo zvočnih posnetkov taistega Seijira Murayame – ki so nastali letos v Ljubljani v sklopu Seijirove umetniške rezidence.
Toplo (oblečeni) vabljeni!
Timothée Quost je francoski glasbeni improvizator, skladatelj in trobentač, ki se udejstvuje na presečiščih različnih glasbenih praks. Na začetku se je izpopolnjeval v klasični glasbi in magistriral iz jazza na konservatoriju v Parizu. Sodeloval je mnogimi glasbeniki, nastopal z National Jazz Orchestra in v Umlaut big bandu.
Quost je zgodaj razkril interes za svobodno improvizacijo in razvil osebni pristop do svojega inštrumenta tudi tako, da ga je intenziviral s posebno ojačevalno napravo. Glasbena raziskovanja je preizkušal v duu Astragales, ob boku z elektroakustikom, botanikom, oblikovalecem zvoka Pierrom Juillardom in nadalje v francosko-belgijskem kvintetu Escargot, s katerim so pri založbi Creative Sources izdali album.
Solo album z naslovom “Before zero crossing” je posnel v Kopenhagnu, v času, ko se je na odrih srečeval z Lotte Anker, Michaelem Zerangom in Barryem Guyem. Album, ki ga je založila danska založba Gotta Let It Out, je predstavil na evropski turneji in sočasno igral v zanimivih duetih – z izvrstnima francskima saksofonistoma Michelom Donedajem in Jean-Luc Guionnetom, češkima pozavnistoma Stepanom Janousekom in Janom Jiruchaem in z našimi prodornim bobnarjem Jako Bergerjem. Berger je zasnoval tudi kvintet v katerem poleg Quosta in Bergerja sodelujejo še Krhlanko, Balzalorsky in Boršič. Žal je pandemija kvintetu preprečila načrtovana sodelovanja, tudi lanski nastop v sklopu FriForme.
Več na: http://www.tquost.com
Silvan Schmid je trobentač, ki živi in ustvarja med Švico in Nizozemsko. Koncertira in snema z Gamut Kollektiv, Alex Riva, Eddé Khouri, Félicie Bazelaire, Timothéejem Quostom, Elio Ambergom, Marino Tantanozi, Bertrandom Denzlerjem, Edwinom Prévostom in mnogimi drugimi. Je aktiven član Gamut Kollektiva, katerega namen je raziskovanje, iskanje in zaganjanje novih projektov. Kolektiv služi kot plodno gojišče za ideje, eksperimente in nove procese. Poleg letnega festivala Gamut vodijo založbo Edition Gamut in organizirajo različne koncertne serije v Zürichu.
Več na http://www.silvanschmid.ch
Uvodni set:
Tolkalec Seijiro Murayama se je rodil leta 1957 v Nagasakiju na Japonskem. Leta 1972 je začel izvajati improvizirano glasbo pod vplivom Vinka Globokarja in muzikologa Fumia Koizumija. Ko se je leta 1999 preselil v Pariz je začel plodna sodelovanja na področju sodobnega plesa, gledališča in performansa. Nastala so partnerstva s glasbeniki, kot so: Michel Doneda, Jean-Luc Guionnet, Éric Cordier, Lionel Marchetti in Mattin – med mnogimi drugimi. Po več kot desetletju bivanja v Evropi se je leta 2013 preselil nazaj na Japonsko, od takrat se občasno vrača v Evropo. Njegov umetniški princip je vztrajanje na ideji o pluralnih ali interdisciplinarnih odnosih med glasbo in drugimi umetniškimi disciplinami: ples, video, slike, fotografije, literatura itd, zato sodeluje z mnogimi glasbeniki, skladatelji in zvočnimi umetniki . Improvizacija je zanj vedno v ospredju tudi, če ni njegov umetniški cilj. Njegov pristop temelji na pozornosti do prostora in kraja, energije publike ter do kakovosti in doživljanja tišine na različnih ravneh.
Več na https://urojiise.wixsite.com/seijiromurayama
Jernej Babnik Romaniuk (1975) je že od malih nog posvečen kreativnemu ustvarjanju – vizualnemu oz. grafičnemu oblikovanju je kmalu dodal še ljubezen do (nevsakdanje) glasbe in vsemu, kar se okoli glasbe vrti. Obe disciplini pa je združil v zvokovni obdelavi, kateri se zadnje desetletje največ posveča. Osredotoča se predvsem na snemanje in post-produkcijo svobodne improvizacije, nekonvencionalnih godb in dokumentarno-terenskih posnetkov, saj je prav tu našel neizčrpni vir, ki ga nenehno navdihuje in sili v odkrivanje novih, svežih pristopov zvočnega snemanja in obdelave – in s tem predstavljanja takšne glasbe bodočim poslušalcem. Tokrat bo za sprotne zvočne intervencije uporabil zvočne posnetke Seijira Murayame, ki jih je posnel letos v Ljubljani v sklopu Seijirove umetniške rezidence.
Povezave:
Koprodukcija: Cirkulacija 2 in Nataša Serec, samozaposlena v kulturi
PCT POGOJI / definicija
Ob vstopu na prireditveni prostor v času javnih kulturnih prireditev je potrebno upoštevati veljavne javnozdravstvene ukrepe in s tem dokazila o PCT pogoju. Kot dokazilo o izpolnjevanju pogoja PCT se lahko predloži digitalno COVID potrdilo EU v digitalni ali papirnati obliki, opremljeno s kodo QR ali se predloži drugo potrdilo oziroma dokazilo v skladu s predpisi, ki ga pristojna oseba preveri z vpogledom v to potrdilo oziroma dokazilo. Ob predložitvi katerega od navedenih dokazil je potrebno izkazati tudi veljaven osebni dokument. Hvala.
[lang_en]Friday, 4th februar 2022 at 20.00: Two superb excursions into non-music / not very musically concrete / but very good sounding experiments -> yes: at Cirkulacija 2, Ajdovščina subway, 1000 Ljubljana:
Both duos (in our opinion) are tearing themselves away from the determinants of music, which for instrumentalists means additional tearing away from the centuries-old determinants of their instrument. How is it possible that despite such an approach to “musing” – all the inspirational musical elements are transferred?
Silvan Schmid & Timothée Quost
Silvan Schmid (CH) acoustic and amplified trumpet
Timothée Quost (FR) acoustic and amplified trumpet
Trumpet duo Silvan Schmid and Timothée Quost creates music through improvisation and experimental composing with an imaginary concept that they develop together. They are currently working on a recording project and this is to be their first tour – also at Cirkulacija 2.
and:
Seijiro Murayama & Jernej Babnik Romaniuk
Seijiro Murayama (JPN) acoustic percussion and voice
Jernej Babnik Romaniu (SLO) interventions with recorded sound
Seijiro Murayama is quite a frequent guest at local venues and residences. His usually extremely clean approach is based on attention to space and place, the energy of the audience – and the experience of silence (on different levels). Jernej Babnik Romaniuk will build his sound interventions with recordings of the same Seijiro Murayama – created this year in Ljubljana as part of Seijiro’s art residence.
Warmly (clad) welcome!
Silvan Schmid is a trumpet player based in Switzerland and the Netherlands. He plays live and does recordings with people and projects such as Solo, Gamut Kollektiv, Alex Riva, Lotus Eddé Khouri, Elio Amberg, Félicie Bazelaire, Tom Wheatley, Timothée Quost, Marina Tantanozi, Bertrand Denzler, Hum, Eddie Prévost and Hans Kennel. He released a quintet album on Hat Hut Records in 2018, followed by the solo album „Augmented Space” in March 2021.
He is a member of the Gamut Kollektiv, whose purpose is to explore, to seek and to set new things in motion. The collective serves as a fruitful breeding ground for ideas, experiments and new processes. In addition to the annual Gamut Festival, they run the label Edition Gamut and organize different concert series in Zurich.
His website: http://www.silvanschmid.ch
Improvisor, composer, trumpet player, Timothée Quost is a young French musician walking along the borders of different musical practices. He first trained in classical music then in jazz, from which he will obtain a master’s degree from the Conservatoire de Paris. He will share the stage with musicians such as Joachim Kuhn, Olivier Py, Riccardo del Fra or the National Jazz Orchestra or the bigband umlaut. Very quickly Timothée Quost showed interest in free improvisation and will develop a personal approach of his instrument by boosting / intensifying it with a specific amplification device.
Beginning his research in the duo Astragales (formed with the electroacoustician, botanist, sound designer Pierre Juillard) he will develop his research in groups such as the quintet Franco-Belgian ESCARGOT (one album, DART LOVE, on the Creative Sources label), or the QUAM trio! (an album on the English label Raw Tonk). Timothée will record his first album solo in Copenhagen, a time during which he will meet on stage musicians such as Lotte Anker, Michael Zerang
and Barry Guy. This first solo album, “Before Zero Crossing“, will be created on the Danish label Gotta Let It Out and will be the subject of an European tour. It is during that tour that duets with musicians such as French saxophonists Michel Doneda and Jean-Luc Guionnet, Czech trombonists Stepan Janousek and Jan Jirucha or the Slovenian drummer Jaka Berger will arise.
Together with his instrumental activities Quost develops a work of music composition of his own. Starting with a profound questioning of aesthetic compartimentalisation, he will compose for several years for his own groups such as the QUOSTET sextet (two self-produced discs, 1st prize at the Jazz springboard in Vannes), the OCTOPULSE group (a self-produced album) or the Matterhorn project cycle. He continuously gathers musicians from various universes around written pieces of music.
His website: http://www.tquost.com/home
Intro set:
Percussionist Seijiro Murayama was born in 1957 in Nagasaki, Japan. In 1972 he started performing improvised music under the influence of Vinko Globokar and musicologist Fumi Koizumi. When he moved to Paris in 1999, he began fruitful collaborations in the fields of contemporary dance, theater and performance. Partnerships have emerged with musicians such as Michel Doneda, Jean-Luc Guionnet, Éric Cordier, Lionel Marchetti and Mattin – among many others. After more than a decade of living in Europe, he moved back to Japan in 2013, and has been returning to Europe occasionally since. His artistic principle is to insist on the idea of plural or interdisciplinary relationships between music and other artistic disciplines: dance, video, painting, photography, literature, etc., so he collaborates with many musicians, composers and sound artists. Improvisation is always at the forefront for him, even if it is not his artistic goal. His approach is based on attention to space and place, the energy of the audience, and the quality and experience of silence on various levels.
More at https://urojiise.wixsite.com/seijiromurayama
Jernej Babnik Romaniuk (1975) is dedicated to creative approach – visual or graphic. To this he soon added love of (unusual) music and everything that revolves around music and graphic design. He has combined both disciplines in sound processing, which he has been devoting most attention in the last decade. He focuses primarily on recording and post-production of free improvised, unconventional music and documentary-field recordings, as it is here that he has found an inexhaustible source that constantly inspires and forces him to discover new, fresh approaches to sound recording and processing. music to future listeners.
Links:
Coproduction: Cirkulacija 2 in Nataša Serec, self-employed in the field of culture