VRT / GARDEN

musical terrain vague

premiere shows in Cirkulaciji² in Ljubljana:
11., 13., 16., 26. and 27. june 2025
always at 8 PM

period: zero/0 tolerance, duration: 47 minutes

“I can never get over when you’re on the beach how beautiful the sand looks and the water washes it away and straightens it up and the trees and the grass all look great. I think having land and not ruining it is the most beautiful art that anybody could ever want to own.” — Andy Warhol

foto | photo: Sunčan Stone

Although the Garden is not particularly obsessed or passionate, it keeps coming back to the same thing. While the sovereign media are forever on an exploratory expedition, the vague channels camp out indefinitely or wander around endlessly. They can encounter the universe anywhere anyway, so why should they mobilize? For the Garden, its own operation is the greatest mystery. This existential moment ensures that no expression acquires a final and unchanging form, but nevertheless says something. Travelers through the terrain vague find their way into the wasteland, where even hot-spot tourists get lost. The Garden is not concerned with form, but with the emptiness between forms, and this is timeless.

foto | photo: Sunčan Stone

It is not interested in success. It has no goals. Its modules are not based on argumentation, but on infection. However that is not its purpose: ambiguity is not an ideal, but an extreme level of abstraction.

foto | photo: Sunčan Stone

There is no work here, we are more interested in disassembling and assembling indefinite objects and projects. When we lose sight of the starting point and the end, we can experience existence in peace. In post-atomic art, uncertainty is the foundation of efficiency and unreliability is a sign of goodwill. Nonlinearity mocks the rhizomatic dogma that prescribes an endless switching of channels, cables, trunks and roots. The garden cannot be followed. Its fuzzy logic frustrates seekers of meaning. The result is a hazy sign with an information value of 0.34 or 2.74. It does not conceal or consciously distort anything. Simply no one knows anything for sure, and this is noticeable. There is no fear of data. The histories of ambiguity have yet to be written.

foto | photo: Sunčan Stone

The vague Garden as an object, and the vague, as the subject who directs it, are inseparable. They share a blurred concept of boundaries that prevents one from separating from the Garden. Clarity only comes when the subject succeeds in eliminating the object and thus becomes superfluous.

foto | photo: Sunčan Stone

Desertion is a condition of freedom. And victory, as always, belongs to the defeated.

foto | photo: Sunčan Stone

· script and direction:: Gotvan Vlado Repnik
· aₚ=tF²: !gor #352;
· project consultancy: Nina Meško
· performers: Loup Abramovici, Jana Jevtović, Bass Jansson, Jurij Podgoršek
· in film: Marieke Werner, Meg Stuart
· editing: GVRbabaLAN
· proculvision: Simon Svetlik
· supervision: Simon Kardum

· special thanks to Jožica Avbelj, Stefan Doepner, Urška Savić, Blixa Bargeld, Simon Svetlik, Marjana Harcet, Marko Batista, Wilhelm Groener, Sanja Simić, Tatiana Kocmur, Nathan Coley and group Bilwelt
· photograph: Sunčan Patric Stone

· production: GVR Zavod za umetniško produkcijo
· co-production: Cirkulacija², Kino Šiška, KIBLA Maribor
· the performance is co-financed by the Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana

foto | photo: Sunčan Stone

Still fresh:

Zadušnica za Boštjana

Early on Monday, May 19, 2025, Boštjan Leskovšek  passed away – sound artist, performer, poet and photographer – co-founder of the Cirkulacija 2 initiative. For the past two and a half years, his health had been steadily deteriorating due to Alzheimer’s disease. We will pay tribute to his memory on Saturday, May 24, 2025 from 6:00 PM at the Cirkulacija 2 premises in the Ajdovščina Ljubljana underpass.

Everyone who knew and loved him is invited!

Boštjan Leskovšek, born in 1965 in Ljubljana, is a sound artist and poet and co-founder of the POPOPO (POETRY BY MAIL) movement between 1996 and 2001. During this time, over fifty performances (happenings, sound poetry and correspondence poetry writing). In 2006, the poetry collection Drža Va was published. Participation at Intermediate Spaces 2006 festival at ESC Graz gallery and Kapelica Gallery; installation and event (Sound Baths). Enthusiast of technology, science, philosophy and contemporary art, I unite = socialize in the Cirkulacija 2 initiative, which has been operating in Ljubljana since 2007. The NanoŠmano project, creation with scientists and artists produced by Kapelica Gallery (2010-12). In years 2012/ 2013 part of project group 300000 VK. Employed at RTV Slovenija as video engineer. Released albums: The Nature of Patience 2007, The Desert of the Real 2008, VesOlje 2003/10, Cirkulacija 2 and Bogdana Herman 2009, Intermediate Spaces 2009, XL Experiment 2009, Surface of the Event 2010, etc…

Discography, photography, textography:

Trivia Records  https://3via.org/records/index.php?opt=search&word=Bo%C5%A1tjan%20Leskov%C5%A1ek
SoundCloud https://soundcloud.com/ror11
Instagram https://www.instagram.com/jokel11
Locutio.si  https://www.locutio.si/avtorji.php?ID=143&clanek=363

His position on sound and music is summarized from a conversation between Andrej Lutman and Boštjan Leskovšek at the end of 2011, published in the magazine Glasna (magazine of the Slovenian Musical Youth Association – volume 42, issue 6) under the title Sound and Skin.

Boštjan:
For me, music is a more articulated or more defined physical position of sound. In sound, it is increasingly open and indefinite, while music is a repeating closed system that confronts sonic openness and confirms collective feelings of social agreement and the training of life.  Everything dances, all music is the same, but sound is always different. It is that without a position, without a junction. It is an unbearable openness of everything to everything. Within this movement, situational islands pop up in which happenings arise, which can be followed by events.

What then is an event?
Something very rare. It is tied to chance, a situation and a moment in which you experience the unknown and wonder. For me, nothingness is a situation without memory and history, a single future where I am without identity, deaf and blind, but I hear and see – but I don’t know.

Can you place this nothingness in a sound event?
If I place it, I hear it, but I can’t articulate it; it confuses me and makes me think, but it is no longer an event, but the past. No, I can’t place it!

Do you agree with the statement that music has a history, but sound does not?
I disagree. Music has a history, sound has the past. Music is a form of scientific method, it opens you up into one direction. Music is comparable to the cosmos, sound to chaos.

You make sound in spaces and words. What are your spatial words determined by?
I don’t know if I make sound. More I sound. I am interested in surfaces and their gaping abstractness. The intersections of events between two or more points of view lead me to perceptions of changes in repetitions. Let me illustrate: when an amplifier amplifies sound through repetition, certain statements are already torn apart, twisted into new, meaningless purposes. We have systems that are given meaning by cybernetics and studied by cognitive science. The stringing of words produces a sentence, a message, and via sounding communicates – but not qualitative – quantitative instability. This accumulation creates surfaces that are layered in space.

Surfaces constitute a space where there are also bodies that listen – bodies that receive sounds. The body is limited by the skin. So what is the impact of sounds on infection? Does sound infect?
It expands the data surface outwards and inwards and the body becomes an interface. The sound passes into the cavity of the body, the body resonates and informs the space.

So there is no silence?
Silence is the idea of nothingness. Nothingness is the idea of ​​silence.

The basic means of your positioning between sound and silence is technology. Technology is the interface between transmission and reception. What is such a complement? Is it perhaps a refinement, a complement of human capabilities?
This is a prosthesis. It is the frailty of reason, which wants to expand from itself, for itself. I use it because of my own handicap and dissatisfaction with it. It is characterized by consumer addiction, which satisfies you for a moment and soon leaves you empty. The resulting emptiness is filled by ever newer products, better, more beautiful, more purposeful, user-friendly… You can already say to the appliance: boil the pot, cover the table, the Internet, buy me friendship… Consuming all this forces you to say: everything that is offered is forged for me. From this saturation arises a symptom. And the solution can be creation. I myself, faced with technology and its consumption, pass into destruction, I personify it, deconstruct it. Destruction nullifies purpose and meaning. This creates possibilities for new connections, different bonds, impossible possibilities. In doing so, I move into construction, accepting uselessness without meaning and purpose, which I surrender to an alienated creation.

Quite complicated… Can you illustrate this with an example?
Right. I will look back at the setup from 2008 to 2010, which consisted of a television, a contact microphone and an audio mixer. The setup was later named The Surface of Event. I connected the amplified signal of the contact microphone to the video input of the TV via a “mixer”. The audio output of the TV was connected to the mixer. This was the basic starting point for looping, “feedback”. I used the contact microphone to touch the thin electrostatic layer of the cathode ray tube. In doing so, the “mixer” amplified the audio signal from the microphone and directed it to the video input of the TV. The image on the screen changed, which also changed the electrostatic voltage of the screen and thus the sound at the output of the “mixer”.

And the result of all this?
… was an electromechanical “looping” of the image and sound, which was regulated by a thin layer of static electricity under the microphone. And it was there, on this surface, that events were created. The entire process of all this happening was a kind of detection of the surface of the event. Two years of processing and experimentation left behind recorded audio-video traces, which are available on the internet publishing house Trivia.

The technologies you use are analog and digital. Within the technologies used, there is harmonic and inharmonic distortion of sound. Is this essential for your work?
Both are useful, but the result is always analog, because I see with my eyes, listen with my ears and feel with my skin, or rather, I listen with my skin, I see with my ears and listen with my eyes. But I understand digital. I always start with unbearable noise, oversaturated distortion, but when I connect to it, a process of harmonization occurs as a result of monotony and lack of detail.

But where are the hormones here?
Excessive sound intensity is very physical. When entering the sound wall, which is – after all – a kind of scanner, the sound encounters the body’s nodes and relaxes them.

So are you involved in sound therapy?
No, but with sound experience.

How do you experience resonances?
Always as a harmonious background that invites and stuns me. I understand them as an opposition to exploring the unknown and they make it easier for me to enter the unknown soundly. So they are a kind of safe haven when discovering something new. But the mind does not trust them, but the senses adore them. So I am torn between pleasure and fear. But in between, something happens to me, a sense of wonder arises, which is my “point” of the artistic event.

Do you consider yourself an oscillator?
No, it is too boring. But an oscillator is important because of the constancy that resonates with you more in frequency.

What is the attendance at your events, installations, performances?
Minimal.

How is that?
Art is rare, hard to find, requires a lot of searching and does not offer itself. And there is something else: I do not need a passive listener or spectator, but a co-active participant. But for something like this, both of you need readiness and time. There is no such thing as love at first sound.

So you accept subsurface investments?
Let’s say that’s the case. A big investment is already curiosity, which stimulates an encounter with an experiment. Hm, all of this takes time for me. I have a hard time falling in. I’m not a typical consumer. I like to wait and watch for a special space to happen, for a situation to come to life in which an event is possible. It’s rare, but it does. The other.

Your position on the emergence of non-lethal weapons?
In terms of sound, music is a marching band, so any concert of amplified manipulation is a non-lethal weapon. Music is a regulator of our emotions and a dangerous tool in the skilled hands of the entertainment industry. Social training takes place with music.

How do you accept the label sound trainer?
That’s a musician. I do not accept it.

Do you consider yourself an inventor in art?
Yes, an inventor of the useless and strange and useless. But I don’t know if this is the art of the possible.

You are also known and recognized for eating in public at your performances, for cooking well and eating even sweeter. Is smacking one of the more resonant sounds of the skin?
Oh, of course. My motto is: a gallery is a tavern, where you eat well, drink, smoke, socialize, have fun and always experiment. It is a social space of searches, encounters. It is that material human hugging that has already become an incredible wonder in this time.

Written by Andrej Lutman

/photo-selfie: Boštjan Leskovšek/


/NOT I; photo: Alessandro Di Giampietro, 2017/

https://www.rtvslo.si/kultura/glasba/poslovil-se-je-zvocni-umetnik-bostjan-leskovsek-soustanovitelj-cirkulacije-2/746506

 


Events so-far:

2025 VRT / GARDEN + Zadušnica za Boštjana + RADART #16: Naključna radijska štiharica + Otvoritev #16 festivala Tresk <<< + PROSTORSKE KONVERGENCE + Benefit dogodek v Cirkulaciji 2 + RED_PILL + Kruh in vrtnice + “Kako veš? | How do you Know? | Miből tudod?” + 2024 NAMENI KOŠČEK DOHODNINE SVOJEMU NAJSLAJŠEMU KOTIČKU! + DITOPIA ATMOS LJUBLJANA + V ritmu algoritma + [petek trinajstega] USPAVANKA ZA CIRKULACIJO III. + Motherless Children in Yerevan + [vabilo] Sejem umetnin ART-MUS + [predstavitev] Kako veš – preden veš? + [cofestival] Sanja Nešković Peršin: Trenutek pred tem + The Silent Movies: Po zabavi | After the Party + Neža Knez v sodelovanju s Tatiano Kocmur in Tinom Dožićem + Antez: “No Es” [dekstrocentrično kroženje] + [disrupeak] Umetniški disruptiv = vrhunec + [ekskluzivno=inkluzivno] EDEN – LORIOT – TANTANOSI trio in IRENA TOMAŽIN + [v petek] Pau Delgado Iglesias – PRISLUHNI / LISTEN + O = Kržišnik, Podgoršek, Fukuhara, Svetlik + Daniel Leber – PSYCHO SOMA + Vida Vojić :: DRUGAČEN GROOVE JE MOŽEN! [s kolegi poeti…] + [vnebovzetje] Umetnost je poletna pisarna + WILHELM GROENER: 33 SKIZZEN_Cirkulacije 2 + Radart #15: Raz(n)čaranje + avObrat: praznovanje mednarodnega dneva glaaazvoka + SUMISH IN ATSUKO PLEŠETA … + MILOST + Benefit za Boštjana Leskovška – pionirja umetnosti zvoka in poezije po pošti + [multimedijska postavitev] Urška Savič: Teritoriji vračanja + OTS(Organsko Tehnološki Skupek) avtorjev: Mirica Ačko, Liza Šimenc in Q700-UPM + ℕiaℕsa in FriFormaAV: Ka Baird (ZDA)+ OKA (SLO) + Tomaž Kolarič: DIALOŠKOST IN EMPATIČNOST / pregledna razstava + Glitch trigger#1 + Rastišče + [na praznik kulture] Niko Novak – Poslednji med velikimi croonerji | Last of the big crooners + [last minute] vrhunski avdio-vizualni duo MSℍℝ (ZDA) v ŽIVO z MASℍ MAℕIF OLD + [Diskurzor 004] Konzervacija+restavracija v okviru Cirkulacije 2 + 2023 Vesele praznike in pogumen vstop v leto 2024 + ART-MUS: Sejem umetnin in praznik umetniškega izraza! + Aphra Tesla, Stefan Doepner archAngel Incorporated / 8 duš + VIDEOPISMA / Henrike von Dewitz in Simon Svetlik + [sreda] Prepared Surroundings 2023: 15. mednarodni festival eksperimentalnega zvoka + [torek CoFestival] Kolektiv NDA Hrvaška: Predstava, ki nastaja + Translacija | Traslación: Rdeče niti #Cirkulacija 2 + dvojna Friforma: WERCKMEISTER kvartet + Mladi Raziskovalci – kvartet + Osnovni delci Cirkulacije 2 na festivalu IZIS Koper + [interview] “Cirkulacija 2: The space we share” + Agustina De Vera: Čustveno avdio-vizualni zemljevid :: sledi potovanja v Slovenijo + Tom Winkler :: Stròj1 strôja m (ȍ ó) + [Jazzz klub Mezzoforte] ZORAN ŠĆEKIĆ koncert mikrotonalne glasbe + Ne-festival: KRIK :: PRVI GLAS + Vida Vojić :: PATTERNS LEAD ME HERE + [synthi delavnica] Alwin Weber “NoiseToys – not just for boys!” + Neža Knez in Tin Dožić “PARALELNA PRETAKANJA” + THE ANGEL’S SHARE / Del gre za angelce + Domišljija se razmahne, ko je zunaj slabo vreme | Imagination emerges into weathering + RAM RAM mozaična predstava [zadnji ponovitvi] + Colin Black in Stefan Doepner: The Transmittal Hearing + FAUST : : OBNOVA = večmedijski performens + Excuses Izgovori + KRAČA :: Tatiana Kocmur in Marta Fakuch + [3x v tednu] RAM RAM mozaična predstava + [popopraznična] Pogojna aritmija (z ali brez) + RADART # 14: SONOR(N)OST | tudi v Cirkulaciji 2 + CLOCKWORK VOLTAGE – Patch from Scratch + Francisco Tomsich – Borut Savski = Poletne pesmi | Summer Songs + [8. marec] Anita Wach / 30 Stavkov (Končna rešitev in Boj z duhovi) + VELIKI BENEFIT za Cirkulacijo + Goran Tomčić – “Pompom Nets – Ljubljana” = participatorna umetnost + [fotozvočna instalacija] P L A T E AU R E S I D U E: Zaslonke v pokrajini + [sluhodvod] Tu živijo vsi / Everybody Lives Here – The Third Guy + Stijn Demeulenaere + 2022 [Studio 8.1] Get Together — Dogodek št. 4 – Tobija Hudnik + D•still by Miha Godec / intermedijska instalacija + [veseli december] art-MUS: sejem umetnin v C2 + [skejterji only] “Pet let na svet; hlače spet” = pet za pet v petek + Tjaž in Gizmo :: Glasbena miza + Visual(s) Edition + [Via Negativa vabi] GLASS ILLKA / na predvečer referendumskega dne + Studio 8.1 – Jan Kopač – Vignettes + Fukuhara Lisk Savski :: Dislociran duh + Radharani Pernarčič – PLESNI VODIČ PO KATALOGU UDOBJA + TZUSSS / Silvan Schmid, Tizia Zimmermann, Urška Savič + Maayan Liebman Sharon – INTIMACY / work in progress + Cirkulacija 2 & Stroj za izboljšanje sveta na PixxelPoint v Novi Gorici + FUCKUPTIMEMACHINE by Vida Vojić + [vabljeni] Studio 8.1 / Jan Kopač – Sin_thesis + BIG BANG vs STRING THEORY / big-bend Cirkulacija 2 + Guionnet | Murayama | Filip :: 3 x 2 = 3? + ŽIVI FOSIL / Tatiana Kocmur, Liza Šimenc + Javno dobro in nestanovitni mediji + Nina Stopar – Rojstvo slike | The Birth of a painting + ME SLIŠIŠ :: mozaični dogodek v Cirkulaciji² + ZAKLONIŠČNI TRIO (Estela Žutić, Keiko Myazaki, Gilles Duvivier) + First Terrace Tour 2022: Sofheso, Specimens, Skip Summers, JC Leisure + FriForma: PASCAL NIGGENKEMPER – La vallée de l’étrange / Dolina čudes + [last minute] Zebracadabra: Z/Apophasis – concertanz + Radio Študent TRESK #13: razstava vizualnih natečajev + Studio 8.1: Tobija Hudnik: Get Together, Dogodek št. 3 + Studio 8.1: Tobija Hudnik: Get Together, Dogodek št. 2 + Lapsus-quo / NOTA – Elvis Homan, Boštjan Simon, Liza Šimenc + Studio 8.1: Tobija Hudnik: Get Together, Dogodek št. 1 + Oblak / gibalno-zvočna video kompozicija + Untergrunt poletni jazz festival: Marko Petrušič Petko + Maja Weiss – BELI BOJEVNIK V ČRNI OBLEKI | director’s cut! + KA TO GLEDAŠ / končna razstava študentk in študentov 3. letnika VIST + Neža Zupanc – recital za flavto + Skupni imenovalec | Common Denominator / velika skupinska razstava + FriForma & Cirkulacija 2: Drašlerja in Røysum + Anita Wach: Levica Sredica Pravica & zvočne zgodbe + Draženje očesa // 53. rojstni dan Radia Študent! + Studio 8.1: Jan Kopač + Kasper T Toeplitz: Elemental II & Burning House + Uspavanka za Cirkulacijo št. 2 in druge zvočne zgodbe + KonstruktK3 smo državljani NSK + [neumorna] FriForma: VVU (Violeta García & Javier Areal Veléz) in Primož Sukič + Martina Jurak: Prehajanje : : Cirkulacija 2 + KUD Mreža / FriFormA\V: MRM trio & Lina Rica + Feminizem zavzema mesto! FriFormA\V in Rdeče zore + Prezenca in e-senca akademskega slikarja Dominika Mahniča + [Cirkulacija 2 & FriForma] Dve trobenti: Silvan Schmid & Timothée Quost / dva Seijira: Seijiro Murayama & Jernej Babnik Romaniuk + Emil Memon GRAFFITI finissage! + 2021 beepblip, Tisa Neža Herlec, Lina Rica: Relativna tišina ob zori + Marta Fakuch – Wellness @ C2 + Emil Memon – GRAFFITI + Studio 8.1: Kako živijo ljudje (bonus track) + KUD Obrat: Onkraj 10 let & Stefan Doepner: Humus + Joe Summers: Five New Songs + 1,5 + Diorama: vizualni dialog Tatiane K. in Giampaola P. + Studio 8.1 #4/21 Brina Kren: kako živijo ljudje. + Mladi Raziskovalci IV. – Lenart De Bock – Steps + Tjaž Juvan: NOISTER::C² – cirkus cirkulatio + Dialog 1,5 + Asinhronost / Tatiana Kocmur in Borut Savski + Tao G. Vrhovec Sambolec – Brati (kot) telesa + Studio 8.1 #3 + Šum #16 + zapovedujemo: John Duncan – Ž + FriFormA\V: LĪMEN + Festival Re_humanizacija! + Cirkulacija 2 – Stroj za izboljšanje sveta v Celju | World Improvement Machine in Celje | 2. letnik + Elvin Brandhi – FEAR THE FEARLESS | BOJ SE NJIH, KI NE POZNAJO STRAHU + Studio 8.1 — Kako živijo ljudje, 2/21 + Barbara Kapelj – Lastne sobe | Rooms of Their Own -> WOW + Gonko Doepner Organism + Mike Hentz – KROG | CIRCLE => festival! + Zeleni zvoki Umoblodnice + JazzzklubMezzoforte Cirku5lacijA sVOBODNImEDmEDIJSKIjAMsEssION + Studio_8.1 _ Brina Kren _ kako živijo ljudje + Barbara Kapelj – Mesto prihodnosti / urbanistično-gradbena delavnica za najmlajše + Peter & Alexander = how to keep loudness quiet? | kako ohraniti glasnost tiho? + Radharani Pernarčič & Cirkulacija 2: INVAINTIONS OF CASTRO FIK ARKA + abeceda = Young researchers, Basic form and Series Here + Rdeče zore: Ingver in GverilkII + Square meter: RENT + COSTS + Ghosts of the Past resurrected + 2020 Expanded Cirkulacija 2: World Improvement Machine + Covid (hyper)production of Cirkulacija 2 + Neven Korda – SPOMINI NA SEDANJOST + Razglas: Mehatronična delavnica Cirkulacije 2 + Borut Kržišnik DANCING MACHINE (new | neu | nov) album + FriFormA\V: Christine Schörkhuber / Noid (Avstrija) – Razmestitve (zvočne instalacije) + Studio_8.1 _kako živijo ljudje, drugič + Q Hologram 2070: Muzej raznolikosti + Vida Voyage aka Vida Vojić aka lonesome cowboy aka secret agent… + Alessandro Di Giampietro – “Assist” | “Pomagalo” – Iconography of a Hug + /// Polymorphic ritual //// + presentation_performance: Sailor_log: 3rd ocean + post_festum: uvertura festivala A dela? v Cirkulaciji 2 + ČAS BREZ DOTIKA – skupinska razstava + FRIFORMA\AV: NOITU – SCATTER_RADAR + Skladnjin skupek #1: ad-hoc koncert v Cirkulaciji | podhod Ajdovščina + Studio_8.1 _kako živijo ljudje + Stroj za izboljšanje sveta | weltverbesserungmaschine + Tatiana Kocmur | Liza Šimenc – MARY JANE + Francisco Tomsich -> ELEGIJA | ELEGY + Program 2020 + Cirkulacija 2: News from the Crypt + Cirkulacija2GO – like Phoenix! + Cirkulacija 2 uspešno izseljena! Exodos completed! + [izseljevanje] Cirkulacija 2 na prelomu + 2019 [napovedujemo] Javno-zasebno partnerstvo! + Angstblüten II / Timor Flores II + Nikolaus Woernle et al. – MODULAR MONSTER + Elvin Brandhi: Welcome in the harvest and usher in “the dark half of the year”! + Dre A. Hočevar et al – Verso Doxa / celotedenski intenziv + Terraformer predstavlja: Ž, Neo Cymex in Kikiriki + Robert B. Lisek & Cirkulacija 2: UI za umetnike – AI for artists + Boštjan Čadež: Mr Processor, do you understand life? + B-stran: Lab Irint + Dominik Mahnič – 1/200 + IvAnKe – Outsukisama | performens/ predstava + Rdeča Raketa & Patrick K.-H v Cirkulaciji 2 + Doepner & Summers: Tree harp (or: Just the Tree of Us), first part + Vida Vojić – Dreams of New Narratives + RAZPROSTOR – razstava in večmedijski dogodek + Secret Universe of Noldus + RHIZOMAS /Ryuzo Fukuhara, Tracy Lisk, Stefan Doepner/ + Urška Preis & Kaja Janjić – Razgaljeno + tridnevna kitarska šagra: Gino Lucente – Sagra + Sukitoa O Namau & Joe Summers live + Joe Summers | The Last Of England – live score + Congregation at the castle: Three hundred thousand souls + RADART #10: X/L Experiment: Radio Tovarna + Cirkulacija 2: Cacophonia Cacovisia at Osmoza + ALUO uho in ALUO+C2 praktikum + Program 2019 + 2018 Ne(do)konč(a)no… + “-O-” = Simon Svetlik, Ryuzo Fukuhara in Takatsuna Mukai v C2 + Sound Chambers Series vol. VIII meets C2 + “Bodi Jimi tudi ti!” – delavnica na Gradu Kromberk | Pixxelpoint 2018 + C2 na festivalu Umetnosti in robotike v Trstu | C2 at the Festival of Arte e Robotica in Trieste + Biti aparat | biti umetnik = Roboti risarji + Simpozij Umetnost umetne inteligence | The Art of Artificial Intelligence + Exodos: C2 v Helsinkih / Finska + Jesenski dnevi tečejo | As autumn days go by… + HONEY, CINNAMON, RAISINS AND TIME balletquintet + Večmedijski skupinski dogodek: MED ZVERJO IN NEMOČJO + Anže Sever – Rob + friformA\V / 16.08.2018 / Lina Rica (HR) / Bálint Bolcsó (HU) / Samo Kutin (SI) + Neven Korda – Daj mi mir! + Petek trinajstega: Trije zvočni pari + Vida Vojić: poezija, zvok in glas + Špica Ljubljana: Alessandro Di Giampietro – Thinga Things | Stvari + Jana Jevtović & Engin Can: Teleskopiranje | Telescoping + oOo! 5. oOobletnica poOovezoOovanj v C² + Blind Pilots Calculation + A Pit of Koelse | Luknja Koelse: Sublimacija znoja + Velenje v Ljubljani: Kutwyv + Nova londonska scena | New London underground Specimens, JC Leisure, Vida Vojić, Joe Summers + John Duncan “The TELL” = world premier + In vendar se vrti | Eppur Si Muove + Cirkulacija 2: Program 2018 + Disinformation + Savski in Zone + Alte Lezbiše Kunst; zvočni performans + 2017 Kikiriki in ROR v C2 + Doepner in Savski na Robotics Anteprima v Trstu + Marko Batista – Uspavanka za CIRKULACIJO + Nez Pez // Pez Pushing + Maribor: Ambasada Cirkulacija 2 na MFRU + Stiropor = ekspandirani polistiren + Klaus Filip ::optosonics:: + HuXterlTronik = Dani Bedrač + ::vtol:: = Dmitry Morozov + Peter Rauch: Ponavljanje – samostojna skupinska razstava + Knjiga oglja / DopisovanjeM + Monika Pocrnjić – SVAROG.3 + Ponovni vzpon Poljske kraljice! + Tatsuru Arai – Arkhitek-ton /+\ Tinitus – Ljubezen je hladnejša od smrti + M / DopisovanjeM + Tanja Vujinović – Universal Objects (Explosions, BBFs2, Still Life) + Mešani dvojni trojček | Mixed double triplet = Mike Hentz, Javier Areal Vélez, Strunarja + Derek Holzer – VECTOR SYNTHESIS | VEKTORSKA SINTEZA + OPERA ROBOTANIKKA GENESISI Karl Heinz Jeron + ZASAVJE NOISEFEST v C2/Tobačna/Ljubljana! + Adam Donovan & Katrin Hochschuh: Psychophysics Machines and Swarms + Ewa Justka at Robotanikka: Light = Sound || Zvok=Svetloba? + Robotanika: Genesis + Mini Maker Faire @ C2 Tobačna Ljubljana! + Z.B.Ø.R. (Boštjan Perovšek, Marko Košnik, Borut Savski) + Alessandro Di Giampietro – Whatever you think I am that is what i’m not + Seppo Gruendler in Josef Klammer – Mali pribor | Kleines Besteck + Cirkulacija 2: Program 2017 + Preko vode do svobode v Kinu Šiška + Luka Prinčič: Razpoke vmesnika IF4Q + 2016 Duplerica: Boštjan Čadež “ROJ” in DivinaMimesis “AUTOBIOGRAPHICAL ANIMAL” + Simfonija groze. Happy New Fear 2017! + RADART #7: RADAR NAD TOBAČNO + Zaprtje -> Dominik Mahnič – Kosi 2014-2016 + Robotanica at Robotica exhibition in Trieste + slikarska razstava -> Dominik Mahnič | Kosi 2014-2016 + John Duncan v C² ! + Simptomi meta mesta #37: Želja + Anyma na obisku v Cirkulaciji 2 + MC2=Ǝ / gibalna razstava + Neverjetno! 10 let Cirkulacije 2 + Herman & Savski: Vračnica in bali; druga javna vaja + Nina Dragičević: Parallellax release + V nedeljo se dobimo: Na stalnem naslovu najinega početja + Robotanica = C2 does Velenje + Herman & Savski: Vračnica in bali; prva javna vaja! + 3rd august 2016 : Niku Senpuki & Emerge, pavleisdead, Emerge & Neven M. Agalma + Atlas of Tremors v C2 + Zasavje NoiseFest 2016 v C2-labu! + Klima: Nedekadentni koncert? + DekaDANCE + Mike Hentz: Live Art as Research of Culture and Life + Announcing: Clime, decadence, human|machine + Introducing Mike Hentz + Event O5 in C² + In search of the simplicity lost + Urkuma in ROR v C² + April/ maj v Cirkulaciji 2 – uvod v antidekadenco + Sejem Dostop do orodij | Access to Tools + Welcome to ATT/AND Rijeka – abandon normal devices fair! + 2015 happy new fear 2016 – party on wires + Oscar Martin: Extreme Atractors at C2 + Jesenski odmevi Hrup smo mi: Dušan Zidar + Jesenski odmevi Hrup smo mi: Arturas Bumšteinas + Predstavitev C2 tehnologij na #MTFCentral + šmarnica in cvičk v C2: N’toko in Igor Vuk + Cirkulacija 2: Showcase 0.3 = prigodna razstava preteklih in prihodnjih del in opravil + Noise is Us::Cultural Interfaces + Strictly Analog 3# in Svetlobna Gverila v Tobačni & C² + RADART #6 :: RADAR RIZOM :: 4 LETA PLATFORME RADAR + Ars ac²ustic²a -> ART’S BIRTHDAY PARTY, 16. januar 2015 + 2014 Happy New Fear! + Hrup smo mi: Prostor časa | Space Time + Microbot (Stelarc in Doepner) v Cirkulaciji² + C² – the opening of the new Cirkulacija 2 space + Smernice razvoja: Prostor časa + 2013 VELIKA POŽRTIJA – sobota 21. december ob 20.00 + Arduino praktikum = novodobni tehno intenziv + Dva ugrabljenca z MFRU: John Smith in Oscar Martin + C2 / Platforma za totalno umetnost: Tri socialne skulpture + Izjava Cirkulacije 2 – skupine začasnih uporabnikov Roga + Dark forest disko + Zvok organizma – Organizem zvoka + Fruity-Box (Karl Heinz Jeron v Cirkulaciji 2) + Taste of Vtol/ Okus Vtola + Redno letno srečanje ljubiteljev cirkulacije + 2012 Cirkulacija 2: pričetek predstavitev in delavnic Uvod v arduino v RogLabu + Multipla cirkulacija – socius urbis / otvoritev RogLaba + Interšmano = Cirkulacija 2 praznuje… + Sajeta 2012, tehnološke delavnice -> Združene sile C2_TO + Three mice: Cirkulacija 2, Konrad Gęca and Ana Raquel Pereira + Cirkulacija 2 in Zagreb – Močvara gallery, 9. -13. June 2012 + Total Noise Session #3 – Marcus Beuter = umetnost zvoka + v Cirkulaciji 2: Uvod v arduino + Kunst und Brot – Salon des Refusés 2012/1 + 2011 Drevo spoznanja in Hrupni robot v C2 + Total art platform at MFRU 2011 + trial version: Urbi et Orbi intervention – in your city, when the night comes… + Paralelni svetovi na Metelkovi + Cirkulacija 2 na Sajeti 2011 + Cirkulacija 2 na Svetlobni gverili + 42 let RŠ – platforma RADAR + Redundantne tehnologije – zbiralna akcija + Cirkulacija 2: Space is the Place + Indija v Cirkulaciji >< Cirkulacija v Indiji + 2010 Zvoki Cirkulacije 2 na Novem trgu v Ljubljani + Expanded Cirkulacija2 at PixxelPoint + C2_Kiblix_Mfru_Haip : Total Noise Session v Cirkulaciji 2 + Jesenski sadeži Cirkulacije 2 + Social Noise Session + C2 na Paralelnih svetovih na Metelkovi + Cirkulacija 2 at Sajeta 2010 + New media drivers feat. Cirkulacija 2 + Expanded Cirkulacija at Alkatraz – wrapping up + Expanded Cirkulacija at Alkatraz + Cirkulacija na Vstop prost v Celju + Cirkulacija 2 prejme Zlato ptico + Predstavitev Cirkulacije 2 v Novi Gorici + Cirkulacija 2: Pomladanski zvitki in Mehki zvoki naveličanosti + Cirkulacija 2 gosti vegetarijanko, aktivistko, umetnico, glasbenico in galeristko Reni Hofmueller + 2009 Cirkulacija 2 na Netart Community Convention v Grazu + javno snemanje: Analogična kompozicija + Reality show – “voice-noise karaoke” + Moška umetnost / Male art + CIRKULACIJA 2 na festivalu SAJETA pri Tolminu + Prostor zvoka = telo zvoka + Cirkulacija 2 in Antikonzum + Netart – krompir v žerjavici + 2008 Cirkulacija 2: Vladavina Konzuma + Majda Gregorič v Muzeju premoderne umetnosti + Transpozicije prostorov na Paralelnih svetovih + Odprta Cirkulacija 2 + Cirkulacija na koruzi / Dario Seraval v Brlogu + Napoved: Cirkulacija pod pritiskom + Elektro / Elektra + Zvočenja v Cirkulaciji 2 + Novi okusi Cirkulacije 2 + Video: Kerber nezavednega + Kerber nezavednega in druge zgodbe + Okus Cirkulacije 2 – st. 3 + Video: Event C + Čisto običajen večer v Cirkulaciji 2 + Totalna razprodajna razstava umetnosti + Event C: Taljenje umetnosti v dogodek + Hobotnica s polento + Brlog + 2007 Rotirajoči dogodek v Cirkulaciji 2 + BRLOG + Predstavitev Trivia Records / Zapisi v Cirkulaciji 2 + Razbita lepota, Broken beauty + Reanimacija Cirkulacije + CIRKULACIJA 2 v tovarni Rog nadaljuje + Boj se kreativnosti oblastnikov! + INTERDISCIPLINARNA POSTAJA CIRKULACIJA 2